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Full Description
Christa Sommerer and Laurent Mignonneau are two of the most innovative and internationally renowned media artists and researchers. Their work has been called "epoch-making" (Toshiharu Itoh, NTT-ICC Museum, Tokyo) for developing natural and intuitive interfaces and for applying scientific principles such as artificial life, complexity, generative systems and nanotechnologies to their innovative interface design. This monograph represents a comprehensive overview of Sommerer and Mignonneau's art and research. In addition to providing detailed project descriptions of each interactive artwork, it includes essays and articles by highly recognized media scholars and theoreticians who bring the interactive artworks of Sommerer and Mignonneau in an art and media art history perspective.
Contents
Stocker, G., Foreword. - Art as Research - Research as Art : Weibel, P., The Art of the Artificial - Sommerer & Mignonneaus's Contribution to the Algorithmic Revolution. Paul, C., Art as Life as Art - Aesthetics and Autonomy. Michalka, M., Aesthetics and Science. - Interface Design Aspects in the Interactive Artworks ofSommerer & Mignonneau: Sakane, I., On the Nostalgic History of Interactive Art - A Personal Retrospective. Huhtamo, E., Touchscapes - Tactile and Haptic Interaction in the Works of Sommerer & Mignonneau. Schopf, C., Leopoldseder, H., The Open World of Christa & Laurent. - From Artificial Life and Complexity Research to Bio and Nano Art: Reichle, I., Art and Digital Evolution - the Genetic Art of Christa Sommerer and Laurent Mignonneau. Casti, J., Complex Systems and Artistic Structures. Kusahara, M., How Much Do You Love The Creatures You Have Made? - Immersion, Illusion and Intelligent Environments: Moriyama, T., Immersion into Historic Images.n - Multimodal Interaction with Internet Data: de Meredieu, F., Please Touch - Priere de toucher. 'Grau, O.., Living Habitats - Immersive Strategies. - Communication Interfaces: Ascott, R., Techno-Shinto Beauty. - Biographies, Exhibitions, Publications.
