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基本説明
This collection, located at the intersection of Shakespeare studies, performance studies, postcolonial criticism and cultural studies, includes articles on Shakespare in american sign language, theatre, film, screenplay, music, documentary and soap opera.
Full Description
This collection focuses on contemporary remakings of Shakespeare in a variety of contexts and textual forms. Located at the intersection of Shakespeare studies, performance studies, post-colonial criticism and cultural studies, the essays address the question of how Shakespeare's plays affect and are affected by their environments as they are transposed into a variety of media, cultures, geographical locations, genres and historical moments. The volume includes articles on Shakespeare in American sign language, theatre, film, screenplay, music, documentary and soap opera.
Contents
Introduction: Remaking Shakespeare: Performance Across Media, Genres and Cultures; P.Aebischer and N.Wheale Shakespeare in the Fourth Dimension: Twelfth Night and American Sign Language; P.Novak Modernity, Post-Coloniality and Othello: The Case of Saptapadi; P.Chakravarti Reading 'Other Shakespeares'; P.Trivedi Othello's Travels in New Zealand: Shakespeare, Race and National Identity; C.Silverstone 'Alas poor country!': Documenting the Politics of Performance in Two British Television Macbeths Since the 1980s; S.Greenhalgh Julius Caesar in Interesting Times; J.Chothia Will! Or Shakespeare in Hollywood: Anthony Burgess's Cinematic Presentation of Shakespearean Biography; K.H.Smith The Singing Shakespearean: Kenneth Branagh's Love's Labour's Lost and the Politics of Genre; R.Wray Romeo and Juliet: The Rock and Roll Years; R.Shaughnessy Re-Incarnations; B.Hodgdon Index



