Description
This book explores the representation of the first generations of women who studied at Oxford and Cambridge in popular fiction of the late nineteenth and early twentieth century. Familiarly termed "Girton Girls", these women were depicted as intent on overthrowing the ancient universities and, by extension, English society. This study argues that the powerful and influential vision of the Oxbridge woman was both exploited and expanded in novels of the time. It shows that this fiction offers not only an informed critical view of this simultaneously anxiety ridden and intermittently hopeful period of English life between 1880 and 1914, but also reveals popular fiction's underexplored contribution to the move towards Modernist themes and literary techniques. The book posits that the Girton Girl was not simply a bit part in the sub-genre of the "university novel" or even within the confines of the New Woman fiction, but rather her character was rich and malleable enough to animate a variety of plots that respond to readers' burgeoning demands for the women who would inhabit their fiction.
Table of Contents
Chapter 1: Introduction The New Woman Student in Fact and Fiction The Origin Story.- Chapter 2: The Wives Rewriting the Incompetent Belligerent Radical Wife Plot Or Stories Suspended in Sexuality.- Chapter 3: The Careerists Reenvisioning the Disreputable Harnessing Exaggeration and Alternating Between Extremes.- Chapter 4: The Educators Dispelling the Sunbeam Teacher Equivalency Or Exciting Advances and Dramatic Retreats.- Chapter 5: The Philanthropists and Activists No Revolutions Only Repetition without Resolution.- Chapter 6: Conclusion Girton Girl Fiction of 1880 to 1914 Reclaiming Narratives On Sufferance.
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