Description
This book explores our corporeal connections to the past by considering what three theoretical approaches - somaesthetics, posthumanism, and the uncanny - may reveal about both premodern and postmodern terms of embodiment.
It takes as its point of departure a selection of fifteenth-century northern European Books of Hours - evocative objects designed at once to inscribe social status, to strengthen religious commitment, to entertain, to stimulate emotions, and to encourage discomfiting self-scrutiny. Studying their kaleidoscopically strange, moving, humorous, disturbing, and imaginative pages not only enables a window into relationships among bodies, images, and things in the past but also in our own internet era, where surprisingly popular memes drawn from such manuscripts constitute a part of our own visual culture.
In negotiating theoretical, post-theoretical, and historical concerns, this book aims to contribute to an emerging and much-needed intersectional social history of art. It will be of interest to scholars working in art history, medieval studies, Renaissance/early modern studies, gender studies, the history of the book, posthumanism, aesthetics, and the body.
Table of Contents
1. THE BOOK OF HOURS AND THE BODY: INTRODUCTION 2. SOMAESTHETICS: THE BOOK OF HOURS AS ELITE SELF-FASHIONING 3. POSTHUMANISM: TECHNOLOGIZING THE BOOK OF HOURS 4. THE UNCANNY: IMMATERIAL MATTERS IN BOOKS OF HOURS
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- 電子書籍
- 天文ガイド2019年4月号
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- 和書
- 事の次第 小学館文庫
