Description
Graphic Novels and Visual Cultures in South Asia explores the shifting landscapes of the graphic narratives and related visual cultures scene in South Asia today.
This exciting volume explores the ever-developing scene of graphic novels, graphic narratives and related visual cultures in South Asia. Covering topics such as Tamil comics, material memory, the politics of graphic adaptation, the fandom of Ms Marvel as well as watching Pakistani social lives on Indian TV, this collection of essays are testament to how visual cultures across South Asia are responding to a new world order. The collection of work explores how certain visual cultures in South Asia are attempting to re-shape previous modes of visuality by unpacking what it means to be living in South Asia today.
Through its inclusion of articles, visual essays and in-conversation pieces, this collection offers insight into the ways in which this narrative is unfolding, the kind of stories which are being told and how, in telling these stories, South Asian society is called upon to engage and crucially, to react to what we see, how and why we see it. This book was originally published as a special issue of the South Asian Popular Culture journal.
Table of Contents
Introduction, 1. Graphics of the Multitude: Reading Figure and Text in Drawing from the City 2. Development Narratives, Media and Women in Pakistan: Shifts and Continuities 3. Diasporic (Dis)Identification: The Participatory Fandom of Ms. Marvel 4. Visualising Caste: A Gardener in the Wasteland and the politics of graphic adaptation 5. Watching Zindagi, Pakistani Social Lives on Indian TV 6. War Cry of the Beggars: An exploration into city, cinema and graphic narratives 7. Remnants of a Separation: a ghara and a gaz, from Lahore to Amritsar to Delhi 8. Tamil Comics: New Media, revival, and the recovery of history 9. ‘IMPOSTERS’: an interview with graphic artist and designer Orijit Sen
