Description
This book assesses key works of twentieth-century dystopian fiction, including Katharine Burdekinâs Swastika Night, George Orwellâs Nineteen Eighty-Four, and Margaret Atwoodâs The Handmaidâs Tale, to demonstrate that the major authors of this genre locate empathy and morality in eroticism. Taken together, these books delineate a subset of politically conscious speculative literature, which can be understood collectively as projected political fiction. While Thomas Horan addresses problematic aspects of this subgenre, particularly sexist and racist stereotypes, he also highlights how some of these texts locate social responsibility in queer and other non-heteronormative sexual relationships. In these novels, even when the illicit relationship itself is truncated, sexual desire fosters hope and community.
Table of Contents
1. Introduction.- 2. The Sexualized Proletariat in Jack Londonâs The Iron Heel.- 3. Redemptive Atavism in Yevgeny Zamyatinâs We.- 4. The Sexual Life of the Savage in Aldous Huxleyâs Brave New World.- 5. Katherine Burdekinâs Swastika Night, a Gay Romance.- 6. Distortions of Queer Desire in Ayn Randâs Anthem.- 7. Desire and Empathy in George Orwellâs Nineteen Eighty-Four.- 8. Ludic Perversions and Enduring Communities in Margaret Atwoodâs The Handmaidâs Tale.- 9. Conclusion.
-
- 洋書電子書籍
- How to Tell People …
-
- 洋書電子書籍
-
新ケンブリッジ版 ニーチェ必携
…
-
- 洋書電子書籍
-
オックスフォード図解世界史
Th…
-
- 洋書電子書籍
- 鶴見俊輔『戦時期日本の精神史―1931…



