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Full Description
Between the late nineteenth and early twentieth century, Istanbul witnessed a cinematic revolution that carried profound implications for the way ideas of identity, nation, and gender were conceived. Re-examining film's potential as both an artistic and ideological discipline, Torn is the Curtain interrogates the relationship between early film cultures and ideas of social transformation, highlighting how emergent ideas of post-colonialism, Orientalism, and feminism impacted Turkish film aesthetics. Consequently, this volume highlights how early cinema culture was not only shaped by ever-changing religious and cultural forces, but did itself shape contemporary debates about identity and cross-cultural exchange.
Contents
List of Tables
Acknowledgements
Introduction: To Draw the Curtain
Chapter 1. The Ottoman Polity, Urban Spectatorship and the Pre-Cinematic Gaze
Chapter 2. A New Show in the City, 1896-1914
Chapter 3. The Great War, Occupation and Dressing the Spectators as Women, 1914-1923
Chapter 4. Ambivalence and the New Nation State
Conclusion: Tears (and Stitches) in the Curtain
Bibliography
Index



