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Full Description
For three decades, state-sponsored short filmmaking educated Danish citizens, promoted Denmark to the world, and shaped the careers of renowned directors like Carl Th. Dreyer. The first book-length study in English of a national corpus of state-sponsored informational film, this book traces how Danish shorts on topics including social welfare, industry, art and architecture were commissioned, funded, produced and reviewed from the inter-war period to the 1960s. Examining the life cycle of a representative selection of films, and discussing their preservation and mediation in the digital age, this book presents a detailed case study of how informational cinema is shaped by, and indeed shapes, its cultural, political and technological contexts.
Contents
AcknowledgmentsIntroductionChapter One - Enlightenment and utility: Informational film as useful cinemaChapter Two - 'We are a little land': Informational film and small-nation cinemaChapter Three - Mapping Messiness: The informational film archive & Actor-Network TheoryChapter Four - 'The film world's cooperative store': Institutions and films of the 1930s and 1940sChapter Five - 'A film-progressive nation': The Social Denmark series and the British documentary movementChapter Six - 'Somethin' about Scandinavia': Danish shorts on the post-war international sceneChapter Seven - 'Citizens of the Future': Informational film and the welfare stateChapter Eight - 'A free hand': The art film versus the art of documentaryChapter Nine - Symphony of a short film: A City Called CopenhagenConclusionReferences
