Shakespeare and Disability Theory (Shakespeare and Theory)

個数:
  • 予約

Shakespeare and Disability Theory (Shakespeare and Theory)

  • 現在予約受付中です。出版後の入荷・発送となります。
    重要:表示されている発売日は予定となり、発売が延期、中止、生産限定品で商品確保ができないなどの理由により、ご注文をお取消しさせていただく場合がございます。予めご了承ください。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 256 p.
  • 言語 ENG
  • 商品コード 9781350424364

Full Description

Shakespeare and Disability Theory serves as a guide to the intersections of Shakespeare studies and disability studies. Intervening in contemporary critical debates about recognizing disability representations in dramatic texts, Genevieve Love explores the stakes of embodying disability in Shakespearean performance.

After tracking the emergence of critical disability studies as a field, Love maps out how claims from disability theory influence and continue to transform Shakespeare studies. Through methodologies of literary disability studies, the volume provides fresh readings of a range of Shakespeare texts, illustrating the power of disability theory to reframe familiar ideas in Shakespeare and to illuminate unfamiliar ones. While the archetypal Richard III provides an extended case study that highlights performance choices by disabled actors and contemporary appropriations of disability, Love's close readings move beyond Shakespeare's representations of singular disabled characters. Plays such as Julius Caesar and King Lear display the expansive networks through which we recognize Shakespearean disability, including neurodiversity. Subsequent chapters underscore disability's intersectionality, recognized through dynamics of incorporation, care, and community in Othello and Henry V, and demonstrate how plays such as The Tempest and Titus Andronicus mobilize disability as a resource for theatricality through stage properties and theatrical prostheses. All these approaches point to engagements with literary and theatrical disability representations that challenge outmoded methods for Shakespeare students, scholars and practitioners.

Contents

Introduction: Recognizing Shakespearean Disability

Chapter 1: Forms of Disability

Chapter 2: Disability and the State: Intersectionality, Inclusion, Resistance

Chapter 3: Disability and the Stage: Theatricality, Embodiment, Prosthesis

Chapter 4: Disability Studies and the Richard III Performance Tradition

References

Index

最近チェックした商品