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Full Description
This volume presents a broad range of critical essays exemplifying different approaches to Shakespeare's two comedies, The Taming of the Shrew and Much Ado about Nothing. The essays approach the plays from a number of theoretical positions: feminist, historicist, deconstruction and psychoanalytic, as well as offering general commentary and a discussion of film versions and stage productions. The introduction explains the development of these critical pieces, making the two plays considered accessible to students at all levels.
Contents
Acknowledgements
General Editors' Preface
Introduction; M. Wynne-Davies
MUCH ADO ABOUT NOTHING
Against the Sink-a-Pace: Sexual and Family Politics in Much Ado About Nothing; H. Berger Jr.
Half a Dozen Dangerous Words; S.P. Cerasano
Much Ado About Nothing: The Unsociable Comedy; B. Everett
Much Ado About Nothing: A Kind of Merry War; P. Gay
Antitheatrically Staged: The Workings of Ideology in Shakespeare's Much Ado About Nothing; J. E. Howard
THE TAMING OF THE SHREW
The Turn of The Shrew; J.Fineman
Renaissance Family Politics and Shakespeare's The Taming of the Shrew; K.Newman
Scolding Brides and Bridling Scolds: Taming the Woman's Unruly Member; L.E.Boose
Household Kates: Domesticating Commodities in The Taming of the Shrew; N.Korda
A Shrew For the Times; D.E. Henderson
Further Reading
Notes on Contributors
Index.



