The Oxford Critical and Cultural History of Modernist Magazines : Volume I: Britain and Ireland 1880-1955 (Oxford Critical Cultural History of Modernist Magazines) / Brooker, Peter (EDT)/ Thacker, Andrew (EDT)

オックスフォード版　モダニズム誌の批評文化史（全３巻）第１巻：イギリス・アイルランド1880-1955年<br>The Oxford Critical and Cultural History of Modernist Magazines : Volume I: Britain and Ireland 1880-1955 (Oxford Critical Cultural History of Modernist Magazines)

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オックスフォード版　モダニズム誌の批評文化史（全３巻）第１巻：イギリス・アイルランド1880-1955年
The Oxford Critical and Cultural History of Modernist Magazines : Volume I: Britain and Ireland 1880-1955 (Oxford Critical Cultural History of Modernist Magazines)

Brooker, Peter (EDT)/ Thacker, Andrew (EDT)

ウェブストア価格 ¥60,470（本体¥54,973）
Oxford University Press（2009/03発売）
外貨定価 UK£ 212.50
ポイント 549pt

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製本 Hardcover:ハードカバー版／ページ数 976 p.／サイズ numerous halftones
言語 ENG
商品コード 9780199211159
DDC分類 809.911205

基本説明

第２巻で北米、第３巻でヨーロッパをカバーする予定。第１巻では、３７章にて８０以上の雑誌を取り上げる（図版多数）。
New in paperback. Hardcover was published in 2009. This is the first of three volumes of a multi-authored and comprehensive history of Modernist magazines. An unprecedented and exciting resource for Modernist Studies, with its expert scholarship informed by the latest developments in the study of material culture and book history, it examines the cultural and historical background of the magazines, relating artistic modernism to social and cultural modernity.

Full Description

The first of three volumes charting the history of the Modernist Magazine in Britain, North America, and Europe, this collection offers the first comprehensive study of the wide and varied range of 'little magazines' which were so instrumental in introducing the new writing and ideas that came to constitute literary and artistic modernism in the UK and Ireland.

In thirty-seven chapters covering over eighty magazines expert contributors investigate the inner dynamics and economic and intellectual conditions that governed the life of these fugitive but vibrant publications. We learn of the role of editors and sponsors, the relation of the arts to contemporary philosophy and politics, the effects of war and economic depression and of the survival in hard times of radical ideas and a belief in innovation. The chapters are arranged according to historical themes with accompanying contextual introductions, and include studies of the New Age, Blast, the Egoist and the Criterion, New Writing, New Verse , and Scrutiny as well as of lesser known magazines such as the Evergreen, Coterie, the Bermondsey Book, the Mask, Welsh Review, the Modern Scot, and the Bell.

To return to the pages of these magazines returns us a world where the material constraints of costs and anxieties over censorship and declining readerships ran alongside the excitement of a new poem or manifesto. This collection therefore confirms the value of magazine culture to the field of modernist studies; it provides a rich and hitherto under-examined resource which both brings to light the debate and dialogue out of which modernism evolved and helps us recover the vitality and potential of that earlier discussion.

PART ONE VICTORIAN PRECURSORS ; PART TWO FIN-DE-SIECLE VENTURES (1884-1905) ; PART THREE EARLY STATEMENTS (1899-1915) ; PART FOUR TRANSITIONS ; PART FIVE INTERVENTIONS (1911-19) ; PART SIX EDITORS AND PROGRAMMES ; PART SEVEN INTO THE 1920S: DISPERSAL AND DIFFERENCE ; PART EIGHT COMMITMENT TO THE NEW: THE 1930S ; PART NINE BEYOND THE METROPOLIS: NATIONAL AND MIGRANT VOICES IN THE 1930S AND 1940S ; PART TEN THE CALL TO CRITICISM AND MODERNIST DESTINIES