Musical Imaginations : Multidisciplinary perspectives on creativity, performance and perception

著者名：Hargreaves, David (EDT)/Miell, Dorothy (EDT)/MacDonald, Raymond (EDT)

OUP Oxford（2011/12/22発売）

• 言語：ENG
• eISBN：9780191626630

Description

Musical imagination and creativity are amongst the most abstract and complex aspects of musical behaviour, though, until recently, they have been difficult to subject to empirical enquiry. However, music psychology and some allied disciplines have now developed, both theoretically and methodologically, to the point where some of these topics are now firmly within our grasp. The study of creativity and imagination is growing rapidly in disciplines including psychology, sociology, neuroscience, and education. The inter- and multidisciplinary study of music, and developments in music psychology in particular, mean that studies of musical imagination and creativity in action are now distinctly possible'Musical Imaginations' is a wide ranging, multidisciplinary review of the latest theory and research on musical creativity, performance and perception by some of the most eminent scholars in their respective disciplines. The topics addressed in this book include the investigation of creativity and imagination in music and emotion, composition and improvisation, performance and performance traditions, listening strategies, different musical genres and cultural belief systems, social collaboration, identity formation, and the development of psychologically-based strategies and interventions for the enhancement of performing musicians. With creativity now a topic of significant interest, this book will be valuable to all those in the fields of psychology, sociology, neuroscience, education, as well as to musicians themselves - dealing with practical as well as theoretical issues in music therapy, performance and education. The study of creativity and imagination is growing rapidly in disciplines including psychology, sociology, neuroscience, and education. The inter- and multidisciplinary study of music, and developments in music psychology in particular, mean that studies of musical imagination and creativity in action are now distinctly possible. This book undertakes a multidisciplinary review of these developments. It contains a wide range of contributions by some of the most eminent scholars in their respective disciplines, representing a comprehensive account of the state of the art of theory and research on musical creativity, performance and perception.

Table of Contents

• 1: David Hargreaves, Raymond MacDonald and Dorothy Miell: Explaining musical imaginations: Creativity, performance and perception
• Perspectives from musicology, sociology, and ethnomusicology
• 2: Eric Clarke: Creativity in performance
• 3: Adam Ockelford: Imagination feeds memory: Exploring evidence from a musical savant using zygonic theory
• 4: Simon Frith: Creativity as a social fact
• 5: Ian Sutherland with Tia De Nora: Musical creativity as social agency: Composer Paul Hindemith
• 6: Juniper Hill: Imagining creativity: An ethnomusicological perspective on how belief systems encourage or inhibit creative activities in music
• Perspectives from cognitive, social, and developmental psychology
• 7: Shira Lee Katz and Howard Gardner: Musical materials or metaphorical models? A psychological investigation of what inspires composers
• 8: Emery Schubert: Spreading activation and dissociation: A cognitive mechanism for creative processing in music
• 9: Vladimir Kone?ni: Life-events, emotion, and reason in the creative process in art music
• 10: David Hargreaves, Jonathan James Hargreaves and Adrian North: Imagination and creativity in music listening
• 11: Annabel Cohen: Creativity in singing: Universality and sensitive developmental periods?
• Perspectives from socio-cultural psychology
• 12: Göran Folkestad: Digital tools and discourse in music: The ecology of composition
• 13: Margaret Barrett: Troubling the creative imaginary: Some possibilities of ecological thinking for music and learning
• 14: Karin Johansson: Organ improvisation: Edition, extemporisation, expansion and instant composition
• 15: Karen Littleton and Neil Mercer: Communication, collaboration and creativity: How musicians negotiate a collective 'sound'
• 16: Raymond MacDonald, Graeme Wilson and Dorothy Miell: Improvisation as a creative process within contemporary music
• Perspectives from neuroscience
• 17: Colwyn Trevarthen: Communicative musicality: The human impulse to create and share music
• 18: Mari Tervaniemi: Musicianship - how and where in the brain?
• 19: Bradley Vines: Recreating speech through singing for stroke patients with non-fluent aphasia
• 20: Istvan Molnar-Szakacs, Vanya Green Assuied and Katie Overy: Shared affective motion experience (SAME) and creative, interactive music therapy
• 21: John Gruzelier: Enhancing imaginative expression in the performing arts with EEG-neurofeedback
• 22: Terry Clark, Aaron Williamon and Aleksandar Aksentijevic: Musical imagery and imagination: The function, measurement and application of imagery skills for performance
• Perspectives from education, psychiatry, and therapy
• 23: Lori A. Custodero: The call to create: Flow experience in music learning and teaching
• 24: Graham Welch: Musical creativity, biography, genre and learning
• 25: Denise Grocke and David Castle: Music, music therapy, and schizophrenia
• 26: Jaakko Erkkilä: Creativity in improvisational, psychodynamic music therapy
• 27: Tony Wigram: Developing creative improvisation skills in music therapy: The tools for imaginative music making
• 28: Nicholas Cook: Beyond creativity?