ラウトレッジ版 美術・工芸・視覚文化教育の脱植民地化必携<br>The Routledge Companion to Decolonizing Art, Craft, and Visual Culture Education

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ラウトレッジ版 美術・工芸・視覚文化教育の脱植民地化必携
The Routledge Companion to Decolonizing Art, Craft, and Visual Culture Education

  • 言語:ENG
  • ISBN:9781032040998
  • eISBN:9781000901740

ファイル: /

Description

This companion demonstrates how art, craft, and visual culture education activate social imagination and action that is equity- and justice-driven. Specifically, this book provides arts-engaged, intersectional understandings of decolonization in the contemporary art world that cross disciplinary lines.

Visual and traditional essays in this book combine current scholarship with pragmatic strategies and insights grounded in the reality of socio-cultural, political, and economic communities across the globe. Across three sections (creative shorts, enacted encounters, and ruminative research), a diverse group of authors address themes of histories, space and land, mind and body, and the digital realm. Chapters highlight and illustrate how artists, educators, and researchers grapple with decolonial methods, theories, and strategies—in research, artmaking, and pedagogical practice. Each chapter includes discursive questions and resources for further engagement with the topics at hand.

The book is targeted towards scholars and practitioners of art education, studio art, and art history, K-12 art teachers, as well as artist educators and teaching artists in museums and communities.

Table of Contents

Introduction

PART I Creative Shorts

  1. A Is For Alphabet: Reimagining Language And Mastery As A Creative Meandering 
  2. Marianna Pegno and Anh-Thuy Nguyen

  3. Critical Reflections on Teaching as a Decolonial Practice 
  4. Maria Leake

  5. Angrez chale gaye, Angrezi chod gaye: Post-coloniality of Language 
    Nupur Manoj Sachdeva
  6. Mind the sky (or forgetting and the imposed futurity of the present): A poem 
  7. Shanita Bigelow

  8. Assembling Desire 
  9. Leon Tan, Mriganka Madhukaillya and Cristina Bogdan

  10. lutruwita/Tasmania’s Fauna: Artistic Imaginings With Native Wildlife  
  11. Suzanne Crowley

  12. Reclaiming Dreams of our Shared Future: Decolonizing Metanarratives Around What Can/Should/Will Be Through Imaginative Diegesis 
  13. Stephanie Jones and James F. Woglom

  14. A Palimpsest of Pulverization in Occupied Palestine: Artistic Intervention as Counter-Representation on the Mediterranean Coast 
  15. Taylor Miller

  16. Time to Trespass: Annotations to 13 Appearances 
  17. Raqs Media Collective

  18. From Art to Artifact: A Sestina on Public Art Policy in Confederate Monument Removal Case Law 
  19. Kristi W. Arth

  20. Co-Creating Fine Arts Learning: Decolonial & Intersectional Strategies 
  21. Logan McDonald

  22. Hilando Historias y Territorios: Textile Cartography of Contemporary Indigenous Communities 
  23. Bianca Castillero-Vela

    PART II Enacted Encounters 

  24. In Fontaine’s Footsteps: Students’ Visual Essays Tackle the Difficult History of Canada’s Indian Residential Schools 
    Agnieszka Chalas and Michael Pitblado
  25. Unsettling Colonial Narratives in the Art Museum 
  26. Grace VanderVliet and Ozi Uduma

  27. Transborder Provocaciones through Lozano-Hemmer's Border Tuner | Sintonizador Fronterizo Public Art Installation 
  28. Andrea Blancas Beltran and León De la Rosa Carrillo

  29. Creating Máscar(a/illa)s: A Decolonizing Us-ing 
  30. Rebecca Christ, Bretton Varga and Timothy Monreal

  31. Decolonization of Theater Education: An Examination of the Collective Creative Process Through Culturally Relevant Pedagogy 
  32. Maria Cristina Leite, Luiz Ernesto Fraga, Marcio Saretta et al.

  33. Cultural Networking, Storytelling and Zoom during the Covid-19 Pandemic: Conversations with African-Caribbeans on using a Decolonized Digital Arts-based Educational Platform 
  34. Judith Bruce-Golding and Sue Brown

  35. Art as a Bridge for Decolonizing Grief and Accessing My Neuroqueer Spirit 
  36. Corey Reutlinger

  37. Transgressive Enactments: Research-Creation as Anti-Colonial Praxis 
  38. Kimberley White

  39. Outside the Classroom & Outside the Books: Extending the Classroom for "Antiessentialist" Curriculum  
  40. Rebecka Black and Thomas Keefe

  41. Explorations for Decolonizing the Curriculum Regarding Technology   
  42. Michelle Tillander

  43. Activating Curiosity, Heart, and Artistic Identity to Engage Ecojustice 
    Jonathan Silverman
  44. Imagining our Neighborhood of Nonhuman Residents: Sensorial Attunement as Ecological Aesthetic Inquiry 
  45. Cala Coats, Shagun Singha, Steven Zuiker et al.

  46. Root A/r/tography from Native Seeds   
    Jun Hu, Xueyin Li, Lipeng Jin et al.
  47. PART III Ruminative Research 

  48. Artistic Practice as Land Acknowledgement 
  49. Prashast Kachru

  50. Beyond the Veneer of Modernism: Aesthetics, Post-Africanity and the ‘Multiversum’ Narrative 
  51. Frank AO Ugiomoh

  52. Exorcising the Colonialist: The Cuna Figures of the San Blas Islands and other Forms of Mimesis and Mimicry 
  53. Alice Wexler

  54. A Critique of Grand Hegemony: Disrupting Historical Valuations of Public Space
    Through Pervasive Gaming 
  55. Lillian Lewis and Veronica Hicks

  56. Art Education and entangled knowledge in the digital age: Learning from Tabita Rezaire’s Premium Connect 
  57. Kristin Klein

  58. Raranga and Tikanga Pā Harakeke – An Indigenous Model of Socially Engaged Art and Education 
  59. Leon Tan and Tanya White

  60. Decolonization and the Degeneralization of Time in Art Education Historiography 
    Juuso Tervo
  61. Nepantlando: A Borderlands Approach to Curating, Art Practice, and Teaching 
  62. Leslie C. Sotomayor II and Christen Sperry García

  63. Crafting Criticality Into My Wayfaring Jewish Ancestors’ Colonial Trade Connections 
  64. Esther Fitzpatrick

  65. Decolonizing Blood, Body and Brain: From the Visual Practices of Jonathan Kim 
    Boram Lee and Jonathan Kim
  66. Decolonizing Formal Art Education in Germany 

Ernst Wagner

37. Towards Frontiers of Decolonization in Contemporary Nigerian Art Markets 

Samuel Egwu Okoro and Soiduate Ogoye-Atanga

38. Histories and Pedagogics from the Underside(s) of Modernity 

Dalida María Benfield and Christopher Bratton

Afterword 

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