The Presence of God in the Works of William Wordsworth

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The Presence of God in the Works of William Wordsworth

  • 著者名:Borkowska, Eliza
  • 価格 ¥9,678 (本体¥8,799)
  • Routledge(2020/11/29発売)
  • 寒さに負けない!Kinoppy 電子書籍・電子洋書 全点ポイント30倍キャンペーン(~2/15)
  • ポイント 2,610pt (実際に付与されるポイントはご注文内容確認画面でご確認下さい)
  • 言語:ENG
  • ISBN:9780367608125
  • eISBN:9781000264005

ファイル: /

Description

Approaching Wordsworth’ writings from perspectives which have not been considered in critical literature, this book offers a multiangled reflection on the technicalities of the poet’s religious discourse, including the methodology of The Prelude revision, or Wordsworth’s patent art of "pious postscripts." The book constitutes a self-contained whole and can be read independently. Simultaneously, it creates an unusual duet with The Absent God in The Works of William Wordsworth, whose six chapters follow this book’s eight chapters like a sestet which complements the octave—becoming, thus, a tribute to Wordsworth as one of the most prolific sonneteers in history. Both monographs build their theses on Wordsworth’s entire oeuvre and embrace the whole of his wide lifespan. Their completion in 2020 coincides with several round anniversaries: the 250th anniversary of Wordsworth’s birth, the 200th anniversary of The River Duddon, and the 170th anniversary of the publication of his autobiographical masterpiece, The Prelude.

Table of Contents

ONE A Prelude—

The Author Behind the Work: The Memoirs of William Wordsworth

 

TWO "Wisdom and s/Spirit of the universe[!]"—

The Indeterminacy of Wordsworth’s Religious Signposting

 

THREE "(Thanks to the good God / That made us)"—

The Allusiveness of Wordsworth’s Religious Discourse

 

FOUR "Upon this I shall insist elsewhere . . ."—

Religion in The Prose Works of William Wordsworth

 

FIVE "[S]urrounded . . . by kneeling crowds"—

Churchgoing and Prayer in The Poetical Works of Wordsworth

 

SIX The Excursion—

Wordsworth’s "Dramatic" Mode

 

SEVEN The Prelude—

The Author’s Voice

 

EIGHT Postscript—

The Author’s Method

 

RETROSPECT—Or the Turn

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