Description
The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.
Table of Contents
IntroductionI. Frames1. Three Canadian Film Policy FrameworksIra Wagman2. Canadian Cinema and the Intellectual MilieuRichard Cavell3. On the Road: Canadian Cinema and the WorldJoumane Chahine4. Landscape as Cinematic EffectJohanne Sloan5. Movie Envy: Cinema in the White Cube (Montreal, 1995-2015)Olivier AsselinII. Cultures6. (Re)Claiming Cultural Identity: The NFB's Eskimo Legends and Inuit Animation from Cape DorsetSuzanne Buchan7. Canadian Indigenous Cinema: From Alanis Obomsawin to the Wapikoni MobileKarine Bertrand8. The Polarities and Hybridities of Arctic CinemasScott MacKenzie and Anna Westerståhl Stenport9. Diasporic Intimacy: Chinese-Canadian Documentary and the Poetics of RelationLily Cho10. Canadian Cinema and its BordersGraciela Martínez-ZalceIII. Cities/Places11. Regional Scenes and Canadian Screens: Film in Atlantic CanadaDarrell Varga12. A Poetics of DiscretionMarion Froger13. The Emotional Geographies of Quebec CinemaDaniel Laforest14. Toronto on ScreenIan RobinsonIV. Sensibilities15. Quebec Cinema as Global CinemaWilliam Marshall16. Stand Tall: Winnipeg Cinema and the Civic ImaginaryAndrew Burke17. Still Here, Still Queer? Rethinking Queer Canadian Cinemas/Canadian Cinemas QueeredThomas Waugh and Fulvia Massimi with Lisa Aalders18. Political Modernism, Policy Environments and Digital Daring: The Changing Politics and Practice of Cine-Feminism in Quebec, 1967-2015Brenda Longfellow19. From Expanded to Intimate Cinemas in Canadian Experimental Film/VideoMonika Kin GagnonV. Forms and Genres20. The Bloody Brood: Canadian Horror Cinema-Past and PresentScott Preston21. Popular Quebec Cinema and the Appeal of Folk HomogeneityAndré Loiselle22. The Musicality of Canadian CinemaMichael Brendan Baker23. The World Navigate: Interactive Documentaries in CanadaJessica Mulvogue24. The Gaming TurnBruno Lessard
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