Full Description
Museum collections of Asian art in Central Europe.
Rather than centering on the well-known collections in Western European and North American museums, Collecting Asian Art turns to museum collections of Asian art in Central Europe which emerged from the late 19th century onwards. Highlighting the dimensions of Central European connectedness, this volume explores how these collections evolved and changed under changing cultural and political conditions from the pre-World War I to the post-World War II periods. With a primary focus on collections of East Asian, South Asian, and West Asian art in Vienna, Prague, Berlin, Warsaw, Kraków, Budapest, and Ljubljana, it outlines the transregional connections and networks that gradually developed.
Collecting Asian Art locates Asian art across the twentieth-century in Central Europe via discourse and ideology, and discusses key collections and the way individual collectors built their networks. It thus explores transregional connections that developed through collecting activities and strategies in the prewar, interwar and postwar eras. Contributors also examine the personal connections between a group of Indologists from postwar Prague and modernist Indian artists from the early 1950s to the 1980s and also discuss the systematic archiving of East Asian art collections in Slovenia. A concluding conversation looks at colonisation and decolonisation from a broader perspective by approaching it through recent art historical discussions on the global dimensions of modernism. By defining the region through its external relationships and its entanglements with regions across Asia rather than as a self-contained unit, the contributions in this volume outline how these transregional connections and networks evolved and changed over time, thus highlighting their singularity in comparison to developments in Western Europe. Based on recent research, Collecting Asian Art reveals neglected sources while reinterpreting well-known ones.
Contributors: Zdenka Klimtová (National Gallery in Prague); Agnieszka Kluczewska-Wójcik (Polish Institute of World Art Studies); Partha Mitter (University of Sussex); Michaela Pejčochová (National Gallery in Prague); Uta Rahman Steinert (Staatliche Museen zu Berlin); Iván Szántó (Eötvös Loránd University); Nataša Vampelj Suhadolnik (University of Ljubljana); Johannes Wieninger (MAK - Museum of Applied Arts); Tomáš Winter (Czech Academy of Sciences).
Ebook available in Open Access.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contents
Note on Transliteration and Translation 7
Collecting Asian Art: Central Europe's Transregional Connectivity
Simone Wille
THE LOCATION OF ASIAN ART IN EARLY TWENTIETH-CENTURY CENTRAL EUROPE
The Ideals of the East : Asian Art and the Crisis of Visual Expression across the Globe, ca. 1900
Yuka Kadoi
Picasso's Meeting with Buddha
Tomáš Winter
COLLECTIONS AND COLLECTORS, NETWORKS AND DISPLAY
Twentieth-Century Cultural Politics and Networks : The Genesis of the Asian Art Collection at the National Gallery in Prague
Markéta Hánová
'I Have Shown You Japan ...' Feliks Jasieński and Japanese Art Collections in Poland
Agnieszka Kluczewska-Wójcik
Networks of Enthusiasm for Japan
Johannes Wieninger
SPOTLIGHT ON (COMMUNIST) ASIA
When East and West met in the Heart of Europe : Vojtěch Chytil and His Contribution to Collecting Asian Art in Central Europe
Michaela Pejčochová
Big Presents Maintain the Friendship : The Gift of the People's Republic of China to the Staatliche Museen zu Berlin (National Museums in Berlin), GDR, in 1959
Uta Rahman-Steinert
Saved from the Furnace, thrown into the Cold War: Islamic Art in Hungary in the 1950s
Iván Szántó
SOUTH ASIA IN POST-WAR PRAGUE
Lubor Hájek and Indian Modernist Art
Zdenka Klimtová
M. F. Husain's Work in the Collection of the National Gallery in Prague : Connecting East and West
Simone Wille
THE ARCHIVE: A REPOSITORY
Collecting East Asian Objects in Slovenia : A Methodological Approach to Creating the VAZ Database
Nataša Vampelj Suhadolnik
COLLECTING ASIAN ART: PAST, PRESENT, AND FUTURE
Of Centres, Peripheries, Values, and Judgements
Simone Wille in Conversation with Partha Mitter on 'Decentering Modernism' and Modernist Routes beyond Western Europe
Biographies of the Authors
Index
Gallery with Colour Plates
