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Full Description
Parade's End is the subject of the fifteen essays here, by both established experts and new scholars. The volume includes groundbreaking work on the psycho-geography of the war in Ford's novels; on how the war intensifies self-consciousness about performance and sensation; and on the other writers and artists Ford drew upon, and argued with, in producing his post-war masterpiece.
Contents
Max Saunders: General Editor's Preface
Rob Hawkes: Introduction
Section 1: Sound, Silence, and Performance
John Attridge: 'A Taboo on the Mention of Taboo': Taciturnity and Englishness in Parade's End and André Maurois' Les Silences du Colonel Bramble
Sara Haslam: From Conversation to Humiliation: Parade's End and the Eighteenth Century
Tom Vandevelde: 'Are You Going to Mind the Noise?': Mapping the Soundscape of Parade's End
Angus Wrenn: Wagner's Ring Cycle and Parade's End
John B. Murphy: 'The 'ind Legs of the Elephink': Pantomime, Prophecy, and Tosh in Parade's End
Section 2: Psycho-Geography of War
Michael Charlesworth: Panorama, the Map, and the Divided Self: No Enemy, No More Parades, and Tolkien's The Lord of the Rings
Elizabeth Hodges: Sight and Scale in Parade's End
Seamus O'Malley: How Much Mud Does a Man Need? Land and Liquidity in Parade's End
Paul Skinner: Tietjens Walking, Ford Talking
Adam Piette: War and Division in Parade's End
Section 3: Contrasts: Love, Death, and Alterity
Rob Spence: Ford and Lewis: The Attraction of Opposites
Austin Riede: 'Cleaned, Sand-Dried Bones': Christopher Tietjens and the Labour of War
Isabelle Brasme: Articulations of Femininity in Parade's End
Alec Marsh: 'Better Far': Ford and Rossettian Attitudes
Joseph Wiesenfarth: Death in the Wasteland: Ford, Wells, and Waugh
Contributors
Abstracts
Other Volumes in the Series
The Ford Madox Ford Society
