World Fairs and the Global Moulding of National Identities : International Exhibitions as Cultural Platforms, 1851-1958 (National Cultivation of Culture)

個数:

World Fairs and the Global Moulding of National Identities : International Exhibitions as Cultural Platforms, 1851-1958 (National Cultivation of Culture)

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 414 p.
  • 言語 ENG
  • 商品コード 9789004498822

Full Description

This volume examines the role of the broad variety of international exhibitions between 1851 and 1958 in two programmatic essays and twelve case studies, covering not just France and the United States, but also, among others, Sweden, Romania, Colombia, Japan and the nascent European Community.

World fairs were global platforms for the construction of national identities. The mix of national self-profiling and commercial exoticism turned the nation into a "brand", while reframing the nation-state from its nineteenth-century positioning amidst neighbouring enemies towards being a competitor in a global, consumer-oriented trade and entertainment economy. By presenting national identities in "banal" form as feelgood factors, world fairs helped the nation to maintain its grassroots appeal across the century of totalitarianism and internationalism.

Contributors are: Joep Leerssen, Eric Storm, Florian Groß, Anthony Swift, Cosmin Minea, Claire Hendren, Taka Oshikiri, Robert W. Rydell, Sven Schuster, Miriam Oesterreich, Bartosz Dziewanowski-Stefańczyk, Christina Romlid, Jonathan Voges, and Anastasia Remes.

Contents

List of Illustrations

Notes on Contributors

Introduction

 Eric Storm and Joep Leerssen

1 Trademarking the Nation: World Fairs, Spectacles, and the Banalization of Nationalism

 Joep Leerssen

2 The Transnational Construction of National Identities: A Classification of National Pavilions at World Fairs

 Eric Storm

3 From the New York Crystal Palace to the World of Tomorrow: World Fairs as a Transnational Series

 Florian Groß

4 Russian National Identity at World Fairs, 1851-1900

 Anthony Swift

5 Roma Musicians, Folk Art and Traditional Food from Romania at the Paris World Fairs of 1889 and 1900

 Cosmin Minea

6 Portraying France: French Art in American World Fairs, 1893-1915

 Claire Hendren

7 Selling Tea as Japanese History: Culture, Consumption and International Expositions, 1873-191

 Taka Oshikiri

8 Self Becomes Nation: Sol Bloom and America's World Fairs, 1893-1939

 Robert W. Rydell

9 Colombia in the Age of Exhibitions: Envisioning the Nation in a Global Context, 1892-1929

 Sven Schuster

10 Displaying the "Mexican" National Identity and Transnational Entanglements at the New York World's Fair, 1939-40

 Miriam Oesterreich

11 World Fairs as Tools of Diplomacy: Interwar Poland

 Bartosz Dziewanowski-Stefańczyk

12 Promoting Sweden: The Socioeconomic Section of the Swedish Pavilion Display at the 1937 World Fair in Paris

 Christina Romlid

13 The International Institute for Intellectual Co-Operation at the World Fair 1937 in Paris: Profiling Internationalism in a "Hyper-Nationalistic" Context?

 Jonathan Voges

14 Exhibiting European Integration at Expo 58: The European Coal and Steel Community Pavilion

 Anastasia Remes

Index

最近チェックした商品