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Full Description
This volume brings together several studies on the writings of Stanisław Przybyszewski (1868-1927), one of the most important writers of Young Poland. The book also includes a supplement on the poetry of Zofia Wojnarowska. All the co-authors of the volume have explored Przybyszewski's work from different perspectives, placing it in many cultural contexts. Among the themes explored are the novel Children of Satan, the drama The Guests, Karol Irzykowski's statements about Przybyszewski, the opposition between bohemianism and dandyism (exemplified by Przybyszewski and Roman Jaworski), and Przybyszewski's views on Poznań culture. Przybyszewski was a writer appreciated in Germany and Scandinavia. He quickly became a leader of the Polish artistic avant-garde. In his works he dealt with the most important problems of modern culture at the turn of the 19th and 20th centuries. The studies collected in this monograph show various aspects of his writing, which combined Polish and European perspectives.
Contents
Introduction
Tomasz Sobieraj & Wedemann
"I Do Not Describe": The Role of Description in Stanislaw Przybyszewski's Aesthetic Views and Writing Practice
Marek Wedemann
What is the Setting of Stanislaw Przybyszewski's Chuldren of Satan? Destruction and Reconstruction of the Depicted World
Marek Wedemann
Stanislaw Przybyszewski's The Guests
Tomasz Sobieraj
Stanislaw Przybyszewski on Poznan's Cultural Potential
Tomasz Sobieraj
"More of a Fairytale than Byronism": Karol Irzykowski, Stanislaw Przybyszewski and the Egotistic History of Interwar Period Literature
Marcin Jauksz
Aesthetics of Ugliness Versus the Aesthetics of The Scream: The Savage Creations of Roman Jaworski and Stanislaw Przybyszewski
Radoslaw Okulicz-Kozaryn
The Lives of the Saints in Zofia Wojnarowska's Stained Glass
Rozalia Wojkiewicz
