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Full Description
This book is about the way artists generate an endless chain of substitute objects for something they can never quite find. It explores the work involved in art with a focus upon finding, gathering, and assembling charged and auratic objects on the wall beside the work. The author employs the term Das Gegenwerk or the work towards the work. This concept avoids definitive closure and expands the notion of drafting and related practices to include qualitative research methods.
The multi-mode transitional practices of Das Gegenwerk are devoid of any demand for a preconceived goal but instead hinge upon the provisional and indeterminate. As such, it is a far cry from the binary logic of the computer and the design cycle but is of interest to an audience engaged with both. Das Gegenwerk hinges on our capacity to respond to the outside rather than the inwardness often attributed to creative agency.
A fundamental belief of the book is that by investigating and adapting the practices of expert practitioners, we can gain an understanding of high-level creativity. It is neither a recipe nor a linear or cyclic approach. Rather, artistic creation is an interweave of transitional multi-mode practices where the overriding emphasis is on the handling or habituation of transitional materials in physical place. The author addresses the urgent need to provide a balance between the promise of new technology and our capacity to both respond to and work with what the world bestows.
Contents
Introduction.- The Web of Multi-Mode Transitional Practices.- The Work of the Wall.- Potential Space and the Charge of the Transitional object.- The Place of the Studio.- The Wall Beside the Work.- Off the Wall(floor) into the Work.- When the Wall becomes a work.- Other Walls, Other Work.- The Wall beside the Work as a Theatre of Memory.- Not just another brick in the wall.- Serendipity: The Bridge between Painting and Science.- Conclusion.
