- ホーム
- > 洋書
- > 英文書
- > Science / Mathematics
Full Description
This eighth volume of the Artefacts series explores how material culture has affected music and sound. Technological innovations in music that were originally created to solve existing problems have ended up expanding the range of what can be done musically and changing the landscape of music. Boon and Weium present a collection of essays exploring technological innovations and their effects on musical culture. Contributors include composers, performers, musicologists, and scientists, providing diverse insights into the nature of music. With a foreword by renowned British producer Brian Eno, Material Culture and Electronic Sound examines what has happened because technology and music crossed paths.
Contents
Foreword by Brian EnoIntroduction by Tim Boon and Frode WeiumChapter 1: Bellowphones and Blowed Strings: The Auxeto-Instruments of Horace Short and Charles Algernon ParsonsChapter 2: Artefacts in PerformanceChapter 3: Technology and authenticity: the reception of the Hammond organ in NorwayChapter 4: Mimics, menaces or new musical horizons? Musicians' attitudes towards the first commercial drum machines and samplersChapter 5: The Magnetic Tape Recorder. Recording Aesthetics in the New Era of SchizophoniaChapter 6: Stockhausen meets King Tubby's: the stepped filter and its influence as a musical instrument on two different styles of musicChapter 7: The Oramics Machine: The Lost Legacy of British Electronic and Computer Music?Chapter 8: Musical instruments and user interfaces in two centuriesChapter 9: Austrian pioneers of the electrification of musical instrumentsChapter 10: New and Rediscovered Musical Instruments Rediscovered
