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Full Description
In 1940, as English country estates faced requisition, neglect, and the threat of aerial bombardment, Elizabeth Bowen observed that life in the 'Big House, in its circle of trees' exerted a powerful and enduring 'spell'. That spell still shapes English literary culture, dominated by an apparently familiar landscape of imposing fictional residences - Brideshead, Howards End, Poynton, Pemberley - whose grandeur seems to promise continuity, heritage, and reassurance.
This book challenges that familiar map. It argues that a group of technically daring and prolific women novelists deliberately returned to the country house in the mid-twentieth century not as nostalgic inheritors, but as sharp-eyed anatomists of its habits, myths, and moral authority. Through close readings of works by Elizabeth Bowen, Elizabeth Taylor, Ivy Compton-Burnett, and Barbara Comyns, this book shows how the country house novel of the 1940s and 1950s became a distinctive imaginative space in which literary tradition itself could be tested and unsettled.
At a moment when the civic, economic, and ideological foundations of the landed estate were visibly cracking, these writers transformed the stately home from a repository of lineage and cultural memory into a site of exposure. Far from offering reassurance, their fiction reveals the persistence of social hierarchies whose authority has begun to hollow out even as they endure.
Contents
Biographical Outlines
Introduction: Strangers in the House of Fiction
'That disheartening house, so ramshackle and remote': Elizabeth Taylor's Palladian
'A goodbye is not what it's said to be': Elizabeth Bowen's Haunted Big House
'We seem to be acting a scene': Staging the Death of the Hearth in Ivy Compton-Burnett
A Climate of Nightmare in Everyday Language: Barbara Comyns's Charnel Mansion
Conclusion
