- ホーム
- > 洋書
- > 英文書
- > Literary Criticism
Full Description
Critical Perspectives on David Chariandy explores the fiction written by this Caribbean Canadian writer to bring new perspectives to the existing scholarship on memory, history, trauma, myth, second-generation issues, cultural inheritance and transmission. The works presented in this collection about Chariandy's novels Soucouyant and Brother consider new aspects and bring a fresh gaze to themes that have previously been explored. Critical Perspectives on David Chariandy presents second-generation Caribbean Canadian cultural affiliation to the Caribbean and North America as an outcome of a self-managed reparatory postcolonial aural transmission. It brings a new exploration of relationships between dementia, animality, forgetting, transformation, and identity, as well as an original analysis of the implications and stakes raised by Canadian middlebrow reception of Soucouyant in 2007. The new readings of Chariandy's exploration of the relationship between history, memory, and myth, included in this collection, disclose the stakes and scope of the author's use of the myth of the soucouyant, and of the mythologies of Scarborough and Canada. This collection also approaches Soucouyant as the literary form of a process of searching for healing that operates both at personal and collective levels, demonstrating the author's use of different types of memories for healing power.
Contents
Introduction: David Chariandy's Invention of Caribbean Canadianness
Rodolphe Solbiac
Chapter 1: Intergenerational Conversations in David Chariandy's Soucouyant and Brother: Listening to the Trauma, Postcolonizing Cultural Memory
Rodolphe Solbiac
Chapter 2: Being(s) Without Memory: Dementia, Animality, and Historical Trauma in David Chariandy's Soucouyant
Jordan Sheridan
Chapter 3: Beyond Dementia: Rematerializing White-Canadian Middlebrow Readings
of David Chariandy's Soucouyant
Rebekah Ludolph
Chapter 4: Facing the Future Through Myth in David Chariandy's Soucouyant
Asha Jeffers
Chapter 5: Soucouyant, or the Narrative of the Fragmented Self
Tanja Cvetkovic
