Radical Contemporary Theatre Practices By Women In Ireland (Carysfort Press Ltd.) (2018. XVI, 274 S. 10 Abb. 225 mm)

個数:

Radical Contemporary Theatre Practices By Women In Ireland (Carysfort Press Ltd.) (2018. XVI, 274 S. 10 Abb. 225 mm)

  • オンデマンド(OD/POD)版です。キャンセルは承れません。

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 274 p.
  • 言語 ENG
  • 商品コード 9781788747950

Full Description

A useful and provocative book that collects the diverse and related practices of theatre makers and theatre professionals deserving of greater attention from artists, teachers and scholars. (Willie White, Director of Dublin Theatre Festival and President of IETM)

Radical Contemporary Theatre Practices by Women in Ireland is an important contribution to the fields of Irish theatre and performance studies, and gender and performance in Ireland. The essays and interviews explore the work of women directors, designers, and playwrights on both sides of the Irish Border, who are currently shaping theatre practice on the island. By gathering such an impressive range of material, Mária Kurdi and Miriam Haughton have produced a collection that offers a snapshot of radical practice on the Irish stage in the early 21st century. (Lisa Fitzpatrick, Senior Lecturer in Theatre, University of Ulster)

Contents

CONTENTS: Jessica Kennedy/Megan Kennedy/junk ensemble: Collectable junk: Moving through a Decade of Dance Theatre - Shonagh Hill: Olwen Fouéré's Corpus: The Performer's Body and her Body of Work - Cathy Leeney Second Skin: Costume and Body: Power and Desire - Miriam Haughton: From Laundries to Labour Camps: Staging Ireland's «Rule of Silence» in ANU Productions' Laundry - Caitriona Mary Reilly: The Fetishization and Rejection of Womanhood in the Performance Works of Áine Phillips - Sam Yates: «We Will Be Seen»: Documenting Queer Womanhood in I (Heart) Alice (Heart) I - Emma Creedon: Performative Reappropriation: A Case Study of Taking Back Our Voices - Brenda O'Connell: «The Horror, The Horror»: Performing «The Dark Continent» in Amanda Coogan's The Fountain and Samuel Beckett's Not I - Fiona Coffey: Blurring Boundaries and Collapsing Genres with Shannon Yee: Immersive Theatre, Pastiche, and Radical Openness in the North - Kasia Lech: Pain, Rain, and Rhyme: the Role of Rhythm in Stefanie Preissner's Work - Charlotte Headrick: Reflections and Interviews with Radical Theatre Makers - Lynne Parker: «Radical» Director. Reflections of a Fellow Director - Matt Jennings: Activism and Responsibility: Women Directing Theatre in Contemporary Northern Ireland - Karen Quigley: HERE AND NOW, There and Then: An Interview with Veronica Dyas - Noelia Ruiz: The 10kW Girl: An Interview with Aedín Cosgrove - Tanya Dean: Landmark Decisions: An Interview with Anne Clarke

最近チェックした商品