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Full Description
As knowledge-based economies continue to grow, creative fields are becoming increasingly important for economic growth and development. Within these fields, disruptive innovations are reshaping industry boundaries and challenging conventional business models. This highly original volume explores the digital disruptions and related industry transformations in film, video and photography.The authors highlight new sources of creative content and examine alternative business models and value propositions currently emerging in a number of different countries. The book incorporates work on disruption from innovation scholars in business schools as well as insights from academics and practitioners in other disciplines, including the broader social sciences.
This authoritative volume is vital reading for scholars and researchers specializing in knowledge management and innovation, as well as practitioners working in a variety of image-based creative fields.
Contributors: S. de Vinck, R. DeFillippi, C. Dumas, N. Escoffier, N. Ferrer-Roca, A. Finney, K. Hung, P. Hunt, R. Kimani, A. Kwok, T.-Y. Lau, S. Leminen, S. Lindmark, M.E. Luka, B. McKelvey, L. Naldi, Y. Roth, P. Roy, L. Sánchez, A. Serra, S. Sparviero, M.B. von Rimscha, N. Wakabayashi, M. Westerlund, P. Wikström, J.-I. Yamada, M. Yamashita
Contents
Contents:
Introduction
Robert DeFillippi and Patrik Wikström
PART I: FILM INDUSTRY DISRUPTION AND TRANSFORMATION
1. Value Chain Restructuring in the Film Industry: The Case of the Independent Feature Film Sector
Angus Finney
2. Business Innovation in the Film Industry Value Chain: A New Zealand Case Study
Natàlia Ferrer-Roca
3. A Case Study of Business Model Innovation and Transformation in China's Film Industry
Tuen-Yu Lau and Axel Kwok
4. The Power of Japanese Film Production Consortia: The Evolution of Inter-firm Alliance Networks and the Revival of the Japanese Film Industry
Naoki Wakabayashi, Jin-Ichiro Yamada and Masaru Yamashita
5. European Audio-visual Production Companies Adapting to Strategic Challenges
M. Bjørn von Rimscha, Patrik Wikström and Lucia Naldi
6. When Disruption Is Driven by Established Firms: The Case of French Multiplex Theatres
Pierre Roy
7. Innovation in the Film Sector: What Lessons from the Past Tell Us About Hollywood's Digital Future - and What That Means for Europe
Sophie de Vinck and Sven Lindmark
8. The Creative Destruction of the United States' Audio-Visual Media Ecosystem
Sergio Sparviero
PART II: CO-CREATION, CROWD-FUNDING AND CROWD-SOURCING
9. Modes, Flows and Networks: The Promise of Crowdfunding in Documentary Filmmaking and Audience Development
Mary Elizabeth Luka
10. Crowdsourcing in the Production of Video Advertising: The Emerging Roles of Crowd-sourcing Platforms
Yannig Roth and Rosemary Kimani
11. Using "Crowd-Wisdom Strategy" to co-create Market value: Proof-of Concept from the Movie Industry
Nadine Escoffier and Bill McKelvey
12. Crowd Sourcing and the Evolution of the Microstock Photography Industry: The case of iStockphoto and Getty Images
Robert DeFillippi, Pat Hunt, Colette Dumas and Ken Hung
13. Users as Content Creators, Aggregators, and Distributors at Citilab Living Lab
Seppo Leminen, Mika Westerlund, Laia Sánchez and Artur Serra
Index
