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Full Description
Surrealist women's writing: A critical exploration is the first sustained critical inquiry into the writing of women associated with surrealism. Featuring original essays by leading scholars of surrealism, the volume demonstrates the extent and the historical, linguistic, and culturally contextual breadth of this writing. It also highlights how the specifically surrealist poetics and politics of these writers' work intersect with and contribute to contemporary debates on, for example, gender, sexuality, subjectivity, otherness, anthropocentrism, and the environment.
Drawing on a variety of innovative theoretical approaches, the essays in the volume focus on the writing of numerous women surrealists, many of whom have hitherto mainly been known for their visual rather than their literary production. These include Claude Cahun, Leonora Carrington, Kay Sage, Colette Peignot, Suzanne Césaire, Unica Zürn, Ithell Colquhoun, Leonor Fini, Dorothea Tanning, and Rikki Ducornet.
Contents
Introduction
Anna Watz
1 'The dung beetle's snowball': the philosophic narcissism of Claude Cahun's essay-poetry
Felicity Gee
2 Identity convulsed: Leonora Carrington's The House of Fear and The Oval Lady
Anna Watz
3 Recasting the human: Leonora Carrington's dark exilic imagination
Jeannette Baxter
4 Colette Peignot: the purity of revolt
Michael Richardson
5 Suzanne Césaire's surrealism: tightrope of hope
Kara M. Rabbitt
6 Kay Sage alive in the world
Katharine Conley
7 Outside-in: translating Unica Zürn
Patricia Allmer
8 Ithell Colquhoun's experimental poetry: surrealism, occultism, and postwar poetry
Mark S. Morrisson
9 Leonor Fini's abhuman family
Jonathan P. Eburne
10 'Open sesame': Dorothea Tanning's critical writing
Catriona McAra
11 Magic language, esoteric nature: Rikki Ducornet's surrealist ecology
Kristoffer Noheden
Bibliography
Index
