Irish Queer Cinema

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Irish Queer Cinema

Macleod, Allison

ウェブストア価格 ¥6,240（本体¥5,673）
Edinburgh University Press（2019/12発売）
外貨定価 US$ 29.95
ポイント 56pt

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製本 Paperback:紙装版/ペーパーバック版／ページ数 192 p.
言語 ENG
商品コード 9781474455084
DDC分類 791.4365309417

Full Description

In recent years queer identities have become increasingly visible in Irish cinema, a shift that can be linked to political, economic and social changes taking place both in Ireland and around the world, as well as to changes in national film policy to cater more to international audiences. Irish Queer Cinema explores the sexual politics and socio-economic conditions that have determined the shape and evolution of these representations whilst interrogating the relationship between on-screen visibility and progressive sexual politics. Drawing together 23 films as depictive of an Irish queer cinema, including Clash of the Ash, The Crying Game and Me First, the book investigates the different ways gender and sexuality intersect with nationhood and national forms of belonging, and explores the role of queerness within the constitution of an Irish national culture.

AcknowledgementsList of Figures

1. Queerly National and Nationally Queer: Paradoxes of an Irish Queer CinemaI. QueerII. IrishIII. Space

2. Mapping Ireland's Queer FilmsI. First Wave Queer CinemaII. Celtic Tiger Queer CinemaIII. Post-Celtic Tiger Queer Cinema

3. Re-Imagined Kinship and Failed CommunitiesI. Queering the FamilyII. PigsIII. The Last Bus HomeIV. Conclusion

4. The Contested Space of the Irish PubI. The Male Homosocial Space of the Irish PubII. A Man of No ImportanceIII. GarageIII. Conclusion

5: Compartmentalised Cosmopolitans and Rigid FluidityI. Cowboys and AngelsII. Goldfish MemoryIII. Situating Irish Lesbianism within Urban SpaceIV. Conclusion

6. The Queerly Productive Constraints of Rural SpaceI. Reefer and the ModelII. Clash of the AshIII. The StagIIV. Conclusion

7. Queer Mobilities and Disassociated MasculinitiesI. I Went DownII. The Disappearance of Finbar and Breakfast on PlutoIII. Conclusion

8. Contested Belongings within Diasporic SpaceI. Reconstituting 'Home' within DiasporaII. 2by4III. Borstal BoyIV. Conclusion

9. The Irish Queer Short FilmI. The Contestation of Public SpaceII. Disrupting Domestic SpacesIII. The Spatiality of Lesbian DesireIV. Conclusion

10. Concluding Remarks

11. Filmography

12. References

Endnotes