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Full Description
This book pioneers a branch of periodical studies that is distinctive to the concerns, contexts and media of Britain's Romantic age. Eleven chapters by leading scholars showcase the range of methodological, conceptual and literary-historical insights to be drawn from just one of the era's landmark literary periodicals, Blackwood's Edinburgh Magazine. Drawing in particular on the trove of newly digitised content, these chapters model how careful analyses of the incisive and often inflammatory commentary, criticism and original literature from Blackwood's first two decades (1817 37) might inform and expand many of the most vibrant contemporary discussions surrounding British Romanticism.
Contents
AcknowledgementsIntroduction, Nicholas Mason and Tom Mole
I. Book History, Bibliography and Archival Method1. Rethinking the Periodical Medium in the Digital Archive, Jon Klancher 2. Reading Medicine in Blackwood's, Megan Coyer
II. Aesthetics, Innovation and Taste3. 'A Separate and Distinct Tribunal': Libel Law and Reviewing in Early Issues of Blackwood's, Tom Mole4. Performing Personae in Blackwood's and Romantic Periodicals, Christine Woody
III. Reviewing Politics and the Politics of Reviewing5. Maga as Medium: Cockneys in Context, Mark Parker6. 'Some Grand Secreter': Secrecy and Exposure in Blackwood's, Mark Schoenfield7. Blackwood's Pastoralism and the Highland Clearances, Alexander Dick
IV. Gender, Race and Romantic Periodicals8. Crashing the Blackwood's Boys' Club: Caroline Bowles and Women's Place in Romantic-era Periodicals, Nicholas Mason9. Mary Prince 'At Home' in Blackwood's: Maga's Origins and the End of Slavery, Caroline McCracken-Flesher
V. Blackwoodian Genealogies10. The Politics and Aesthetics of Extraction: Cultural Interventions in Blackwood's and the Imperial, Kristin Flieger Samuelian11. The Challenge of Longevity: Blackwood's as a Post-Romantic Periodical, Joanne Shattock
BibliographyIndex