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Full Description
Focuses on the aural elements which combine with moving images.
The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions.
Key Features
Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.
Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds.
Provides a new platform for discourse on how aural elements combine with moving images.
Contents
Symphonies of Noise: The Urban Soundscape in Rouben Momoulian's Applause, City Lights, Dr Jekyll and Mr Hyde and Love Me Tonight Dominic Power
Music as an element of narration in poetic documentariesKerstin Stutterheim
Embodied Resonances: The Sonic Pathways in Jean-Marc Vallée's film Wild Alison Walker
Shepard tones and production of meaning in recent films: Lucrecia Martel's Zama and Christopher Nolan's DunkirkEleonora Rapan
From 'Screenwriting for Sound' to Film Sound Maps: The Evolution of Live Tone's Creative Alliance with Bong Joon-ho Nikki J. Y. Lee and Julian Stringer
Some Notes on the use of Voice-OverRoger Crittenden
Approaches to Sound Design: Murch and BurttGustavo Costantini
Presentation to the School of SoundPeter Sellars
