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Full Description
Assesses concepts of hearing and listening across multiple fields, from both practitioners and academics
The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. This issue looks at concepts of hearing and listening and looks at nature documentaries, sonic interactions, production hierarchy in television, and the use of macro-sounds to present the inside of bodies.
Key Features
Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds.Provides a new platform for discourse on how aural elements combine with moving images.
Contents
Volume 7 Issue 1 Contents
New Understandings in HearingJames Bacho
'Listening Back': Exploring the Sonic Interactions at the Heart of HistoricalSound Effects PerformanceFiona Keenan and Sandra Pauletto
Feeling and Filmmaking: The Design and Affect of Film SoundLucy Fife Donaldson
Mumble-gate: Negotiating Theory and Practice in Television's Production HierarchyTim Heath
Losing Sight of Atmospheric Sounds in Televised Nature DocumentaryIsabelle Delomtte
When Soundtracks of Fiction and Non-fiction Converge: on the use of Macro Sounds to Present the Inside of BodiesSvein Høier
