世界映画とリアリズムの倫理 World Cinema and the Ethics of Realism

世界映画とリアリズムの倫理<br>World Cinema and the Ethics of Realism

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世界映画とリアリズムの倫理
World Cinema and the Ethics of Realism

Nagib, Lúcia

ウェブストア価格 ¥29,651（本体¥26,956）
Continuum Publishing Corporation（2011/01発売）
外貨定価 US$ 135.00
ポイント 269pt

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製本 Hardcover:ハードカバー版／ページ数 312 p.／サイズ 60 illus.
言語 ENG
商品コード 9781441137838
DDC分類 791.4309

基本説明

Nagib conducts comparative case studies drawn from a wide range of realist trends, including the Japanese New Wave, the nouvelle vague, the Cinema Novo, the New German Cinema, the Inuit Indigenous Cinema, the Taiwan New Cinema and the New Brazilian Cinema.

Full Description

This is a sweeping study of world cinema, illustrating how its creative peaks stem from the urge to reveal otherwise hidden political and social dimensions of reality. "World Cinema and the Ethics of Realism" is a highly original study. It breaks away from the binary divisions which underpin most of film theory, and challenges traditional views of cinematic realism, drawing instead on the filmmaker's commitment to truth and to film's material bond with the real. Nagib conducts comparative case studies drawn from a wide range of realist trends, including the Japanese New Wave, the nouvelle vague, the Cinema Novo, the New German Cinema, the Inuit Indigenous Cinema, the Taiwan New Cinema and the New Brazilian Cinema. She reveals that these creative peaks are animated by the desire to reveal concealed or unknown political, social, psychological or mystical dimensions of reality - as observed in the various cycles of new waves and new cinemas across film history and geography.
"World Cinema and the Ethics of Realism" is groundbreaking scholarship that surveys and defines World Cinema not as the opposite of Hollywood, but in positive terms; and draws upon the work of Badiou and Ranciere to take film theory in a bold new direction.

List of Illustrations
Acknowledgements

Introduction

Part I - Physical Cinema

Chapter 1. The End of the Other
Physical Realism
The Missing Other
Atanarjuat, the Fast Runner
Yaaba
God and the Devil in the Land of the Sun (Black God, White Devil)
The 400 Blows

Chapter 2. The Immaterial Difference: Werner Herzog Revisited
The Excessive Body
Literal Difference
Physical Difference
Representational Difference
Part II - The Reality of the Medium
Chapter 3. Conceptual Realism in Land in Trance and I Am Cuba
Allegorical Real
Reality as Process: Trance in Land in Trance
Trance, Sexuality and the Christian Myth in I Am Cuba
Mimesis of the Principle
Concluding Remarks
Chapter 4. The Work of Art in Progress: An Analysis of Delicate Crime
Part III - The Ethics of Desire
Chapter 5. The Realm of the Senses, the Ethical Imperative and the Politics of Pleasure
Originality, Beauty and the Porn Genre
The Eroticized Nation
Sex in Red and White: Double Suicide
Anti-Realism and Artistic Real
The Participative Voyeur and the Eroticized Apparatus
Part IV - The Production of Reality
Chapter 6. Hara and Kobayashi's 'Private Documentaries'
Historical Time
Phenomenological Time
Active Subjects
Chapter 7. The Self-Performing Auteur: Ethics in Joao Cesar Monteiro
Ethics of the Impossible Real
God's Autobiography
The History Man
Bibliography
Notes
Index