Chinese Theatre Troupes in Southeast Asia : Touring Diaspora, 1900s-1970s (Routledge Studies in the Modern History of Asia)

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Chinese Theatre Troupes in Southeast Asia : Touring Diaspora, 1900s-1970s (Routledge Studies in the Modern History of Asia)

Zhang, Beiyu

ウェブストア価格 ¥13,513（本体¥12,285）
Routledge（2023/05発売）
外貨定価 US$ 59.99
ポイント 122pt

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製本 Paperback:紙装版/ペーパーバック版／ページ数 190 p.
言語 ENG
商品コード 9781032013046
DDC分類 792.09510959

Full Description

A detailed account of the cultural history of the Chinese diaspora, with a focus on the performers and audiences who were involved in the making of Chinese performing cultures in Southeast Asia.

Focusing on five different kinds of theatre troupes from China and their respective travels in Singapore, Bangkok, Malaya and Hong Kong, Zhang examines their different travelling experiences and divergent cultural practices. She thus sheds light on how transnational mobility was embodied, practised and circumscribed in the course of troupes' travelling, sojourning and interacting with diasporic communities. These troupes communicated diverse discourses and ideologies influenced by different social political movements in China, and these meanings were further altered by transmission.

By unpacking multiple ways of performing Chineseness that was determined by changing time-space constructions, this volume provides valuable insight for scholars of the Chinese Diaspora, Transnational History and Performing Arts in Asia.

Introduction

Part I Chinese theatre troupes on the Sino-Southeast Asian Corridor, 1900s-1930s

1 Formation of Chinese theatrical spaces: temples, theatres and amusement parks in the Straits Settlements

2 Travelling with Teochew immigrants: Chaozhou theatre troupes on the move

3 Performative encounters: China's Song and Dance Troupe and the Nanyang tour

4 Saving the motherland: diasporic Nationalism and Mobilisation of Chinese in Malaya during WWII

Part II 'Dangerous' reaching out via performative linkages in the Cold War

5 Old ties and new routes: socialist Chaozhou theatre in Hong Kong, 1950s-1960s

6 Chaozhou opera film nexuses: Hong Kong, Singapore and Bangkok, 1960s

7 Appropriating postcolonial Chineseness: Hong Kong leftwing troupes in Cold War Singapore and Malaya(sia)

8 Conclusion and epilogue