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基本説明
This new book brings together leading scholars from a number of disciplines-film studies, literature, philosophy-to focus on some of the key historical and conceptual issues associated with Dogme 95's original formulation.
Full Description
This volume brings together leading scholars from a number of disciplines - film studies, literature, philosophy - in order to focus on some of the key historical and conceptual issues associated with Dogme 95's original formulation.
Contents
Introduction, Mette Hjort and Scott MacKenzie The Dogma Manifesto: Antecedents and Extensions Peter Schepelern, 'Kill Your Darlings: Lars von Trier and the Origin of Dogme 95' Scott MacKenzie, 'Film-makers of the World Unite! Dogme '95 and the Film Manifesto Murray Smith, 'Characterisation and Performance: Dogme '95 and New American Cinema' Ib Bondebjerg, 'Dogme '95 and the Danish "New-New Wave"' NoIl Carroll and Sally Banes, 'Dogme Dance' Dogme '95 and Film Theory Jon Elster, 'Creativity and Constraint' Catherine Grant, 'The Director Must Be Credited: Authorship, Auteurism and the Films of Dogme '95' Paisley Livingston, 'Artistic Self-Reflexivity in The King is Alive and Strass' Berys Gaut 'Naked Film: Dogma and Its Limits' Dogme '95: National and Transnational Dimensions Martin Roberts, 'Decoding D-Dag: Multi-Channel Television at the Millenium' Ginette Vincendeau, 'The Lovers and French Contemporary Cinema' Yvonne Tasker, 'Indie Cinema and Dogme '95' Mads Egmont Christensen 'Dogme 95 and Marketing' Mette Hjort 'Dogme 95: A Small Nation's Response to Globalisation' Index
