The Philosophy of TV Noir (The Philosophy of Popular Culture)

個数:

The Philosophy of TV Noir (The Philosophy of Popular Culture)

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 288 p.
  • 言語 ENG
  • 商品コード 9780813124490
  • DDC分類 791.4561

Full Description

The influence of classic film noir on the style and substance of television in the 1950s and 1960s has persisted to the present day. Its pervasiveness suggests the vitality of the noir depiction of human experience and the importance of TV for transmitting the legacy of film noir and producing new forms of noir. Noir television is also noteworthy for its capacity to raise philosophical questions about the nature of the human condition. Drawing from the fields of philosophy, media studies, and literature, the contributors to The Philosophy of TV Noir illuminate the best of noir television, including such shows as Dragnet, The Fugitive, Miami Vice, The X-Files, CSI, and 24.

Contents

Introduction: War Films and the Ineffability of War
War and Representation
War Pictures: Digital Surveillance from Foreign Theater to Homeland Security Front
Lenses into War: Digital Vérité in Iraq War Films
Beyond Panopticism: The Biopolitical Labor of Surveillance and War in Contemporary Film
Seeing Soldiers, Seeing Persons: Wittgenstein, Film Theory, and Charlie Chaplin's Shoulder Arms
Apocalypse Within: The War Epic as Crisis of Self-Identity
The Violated Body: Affective Experience and Somatic Intensity in Zero Dark Thirty
"All in War with Time": Medium as Meditation in Sherman's March
The Power of Memory and the Memory of Power: Wars and Graves in Westerns and Jidaigeki
The Ubiquitous Absence of the Enemy in Contemporary Israeli War Films
General Patton and Private Ryan: The Conflicting Reality of War and Films about War
The Work of Art in the Age of Embedded Journalism: Fiction versus Depiction in Zero Dark Thirty
Vernacular Metaphysics: On Terrence Malick's The Thin Red Line
War and Its Fictional Recovery on Screen: Narrative Management of Death in The Big Red One and The Thin Red Line
"Profoundly Unreconciled to Nature": Ecstatic Truth and the Humanistic Sublime in Werner Herzog's War Films

最近チェックした商品