リメイク映画 Film Remakes

Verevis, Constantine

Edinburgh University Press（2005/11発売）

• 製本 Hardcover:ハードカバー版／ページ数 208 p.
• 言語 ENG
• 商品コード 9780748621866
• DDC分類 791.437

基本説明

This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking.

Full Description

This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics and audiences. This approach to remaking is developed across three broad sections: the first, remaking as industrial category, deals with issues of production, including commerce and authors; the second, remaking as textual category, considers genre, plots and structures; and the third, remaking as critical category, investigates issues of reception, including audiences and institutions. The film remake emerges as a particular case of repetition, a function of cinematic and discursive fields that is maintained by historically specific practices, such as copyright law and authorship, canon formation and media literacy, film criticism and re-viewing. These points are made through the lively discussion of numerous historical and contemporary examples, including the remaking of classics (Double Indemnity, All That Heaven Allows, Psycho), foreign art-films (Yojimbo, Solaris, Le Samouraï), cult movies (Gun Crazy, Planet of the Apes, Dawn of the Dead), and television properties (Batman, The Addams Family, Charlie's Angels).

Contents

1. Introduction: Remaking Film; 2. Commerce; 3. Authors; 4. Texts; 5. Genres; 6. Audiences; 7. Discourse; 8. Conclusion: Remaking Everything.