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Full Description
Off the Page examines the business and craft of screenwriting in the era of media convergence. Bernardi and Hoxter use the recent history of screenwriting labor coupled with close analysis of the screenwriting para-industry-from "how to write a winning script" books to screenwriting software-to explore the state of screenwriting throughout the US media industries. They address the conglomerate studios making tentpole movies, expanded television, Indiewood, independent animation, microbudget scripting, the video games industry, and online content creation. This book is designed to be used by students and writers who want to understand what studios want and why they want it, but also how scripting is developing in the convergent media, beneath and beyond the Hollywood tent-pole. By addressing specific genres old and new, across a wide range of media, this essential volume sets the standard for anyone in the expanded screenwriting industry and the scholars that study it.
Contents
ACKNOWLEDGMENTS
INTRODUCTION: SCREENWRITING OFF THE PAGE
1. MILLENNIAL MANIC: CRISIS AND CHANGE IN THE BUSINESS OF SCREENWRITING
2. ATOP THE TENTPOLE: HOLLYWOOD SCREENWRITING TODAY
3. RUNNING THE ROOM: SHOWRUNNING IN EXPANDED TELEVISION
4. NEW MARKETS AND MICROBUDGETS: "INDEPENDENT" STORYTELLERS
5. SCREENWRITER 2.0: THE LEGITIMATION OF WRITING FOR VIDEO GAMES
CONCLUSION: SCRIPTING BOUNDARIES
NOTES
INDEX