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基本説明
Covering everything from Edison to Avatar, Gomery and Pafort-Overduin have written the clearest, best organized, and most user-friendly film history textbook on the market. In addition to providing a comprehensive overview of the development of film around the world, the book gives us examples of how to do film history, including organizing the details and discussing their implications. Lavishly illustrated with over 450 color images to put faces to names, and to connect pictures to film titles.
Full Description
How can we understand the history of film? Historical facts don't answer the basic questions of film history. History, as this fascinating book shows, is more than the simple accumulation of film titles, facts and figures. This is a survey of over 100 years of cinema history, from its beginnings in 1895, to its current state in the 21st century. An accessible, introductory text, Movie History: A Survey looks at not only the major films, filmmakers, and cinema institutions throughout the years, but also extends to the production, distribution, exhibition, technology and reception of films. The textbook is divided chronologically into four sections, using the timeline of technological changes Written by two highly respected film scholars and experienced teachers, Movie History is the ideal textbook for students studying film history.
Contents
Acknowledgements Illustrations Preface Section 1: The Silent Cinema 1895-1927 1. The Invention and Innovation of the Motion Pictures Case Study 1: Who Went to See Early Movies in the USA? 2. The Triumph of Hollywood Case Study 2: Government Control of What Audiences Saw - The Battle on Film Censorship in Germany and the USA 3. Hollywood Establishes the Classic Narrative Style Case Study 3: The Acceptance of the Classical Hollywood Filmmaking Style 4. Influential Alternatives to Hollywood: European Cinema Case Study 4: Carl Dreyer - A Danish Individualist 5. Experiments in Filmmaking: The USSR Case Study 5: Evaluation in Movie History - The Case of Odessa Steps Section 2: The Hollywood Studio Era 1928-1950 6. The Coming of Sound & the Studio System Case Study 6: The Coming of Sound to Europe - The Triumph of National Film Production in Holland 7. The First Golden Age of Hollywood Movie Making Case Study 7: How was the Moviegoer Affected by the Movies? - Reconstructing the Meaning of Movies and Movie Going with the Help of Oral History. 8.: European Alternatives to Hollywood: France, Britain, Germany and Italy Case Study 8: What Did the European Moviegoer Really Like? - Reconstructing the taste of the Moviegoer with the Help of Film Programming and Statistics. Section 3: The Television Era 1951-1975 9. Television, Wide-Screen and Colour Case Study 9: Film Societies as Alternative Spaces for Movie Exhibition 10. A Transformation of Hollywood Movie-Making Case Study 10: A Critic who Changed the Status of Hollywood Movies 11. The European Art Cinema Alternative Case Study 11: Art Movie Theaters in the USA 12. Alternative Film Industries - The Soviet Union, Eastern Europe, South America, Australia and Japan Case Study 12: The Importance of Film Festivals Section 4: The Video to Digital Era 1975-2010 13. Contemporary World Cinema History - 1975 and Beyond Case Study 13: Film Historical Research in the Digital Age 14. Hollywood Thrives Case Study 14: The Reception of James Cameron's Avatar Bibliography Glossary Index
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