Full Description
A thorough introduction to harmony in common practice.Takes students from the fundamentals of harmony including harmony in common practice and some of the more important harmonic procedures of the 20th century. With an emphasis on learning and understanding by doing, this text/workbook combination takes students from music fundamentals through harmony in common practice to some of the more important harmonic procedures of the 20th century. The approach is "additive" throughout, allowing students to use what was learned in one chapter to help comprehension of the materials in the next. This allows for minimum of memorization since students repeatedly use the concepts throughout the semester.Teaching and Learning ExperiencePersonalize Learning-MySearchLab offers assests for further study, including research databases, information on how to write a research paper, and subject libraries.Improve Critical Thinking- Students learn that harmony may be understood as a continuum rather than a series of unrelated elements.Engage Students- Emphasis on comprehension of governing principles rather than memorization of rules.Understand Music- Provides students with immediate understanding of what the particular musical example is emphasizing and what harmonic principle the example reveals.Support Instructors- Supported by the best instructor resources on the market; MySearchLab, and an Instructor's Manual.Note: MySearchLab does no come automatically packaged with this text. To purchase MySearchLab, please visit www. MySearchLab.com or you can purchase a valuepack of the text + MySearchLab (VP ISBN-10: 0205230172, VP ISBN-13: 9780205230174)
Contents
IN THIS SECTION:1.) BRIEF2.) COMPREHENSIVEContentsPrefacePart One Foundations Chapter 1 Clefs and Basic Pitch NotationChapter 2 Scales Chapter 3 Key Signatures and Scale DegreesChapter 4 Intervals Chapter 5 Triads Chapter 6 The Notation of RhythmPart Two Harmony in Common Practice The Diatonic Vocabulary Chapter 7 Four-Part Vocal Writing Chapter 8 Primary Triads in Root Position Chapter 9 Primary Triads in First InversionChapter 10 Primary Triads in Second InversionChapter 11 Secondary Triads Chapter 12 The Harmonization of Melodies IChapter 13 Nonchord Tones I: Passing Tones, Neighboring Tones, Changing Tones, Appoggiaturas, Escape Tones, Anticipations Chapter 14 Nonchord Tones II: Suspensions, Pedal PointsChapter 15 Diatonic Seventh ChordsChapter 16 The Harmonization of Melodies IIChapter 17 Writing for the PianoPart Three Harmony in Common PracticeThe Chromatic Vocabulary Chapter 18 Secondary DominantsChapter 19 Secondary Diminished Seventh ChordsChapter 20 Augmented Sixth ChordsChapter 21 Borrowed ChordsChapter 22 The NeapolitanChapter 23 Common Chord ModulationChapter 24 Abrupt and Enharmonic ModulationPart Four Post-Common Practice HarmonyChapter 25 Ninth, Eleventh, and Thirteenth ChordsChapter 26 Chord SymbolsChapter 27 Modal HarmonyChapter 28 Nonfunctional HarmonyChapter 29 Artificial ScalesChapter 30 Nontertian HarmonyChapter 31 Harmonic Procedures in Twelve-Tone SerialismAppendix A Appendix BAppendix CINDEXContents PrefacePart One Foundations Chapter 1 Clefs and Basic Pitch NotationChapter 2 ScalesThe Major ScaleThe Minor ScaleNaming ScalesScales in DescentThe Synthetic Minor ScaleModesChapter 3 Key Signatures and Scale DegreesChapter 4 IntervalsThe Quality of IntervalsThe Inversion of IntervalsCompound IntervalsChapter 5 TriadsTypes of TriadsTriads in Major and Minor KeysChapter 6 The Notation of RhythmNote ValuesMeter SignaturesPrinciples of NotationPart Two Harmony in Common Practice The Diatonic Vocabulary Chapter 7 Four-Part Vocal WritingChapter 8 Primary Triads in Root Position CadencesRoots a Fourth and Fifth ApartRoots a Second ApartRestrictions in Voice LeadingPrimary Triads in CombinationThe Function of Primary TriadsThe Dominant SeventhChapter 9 Primary Triads in First InversionChord Symbolization: Figured BassPrimary Triads in First InversionChapter 10 Primary Triads in Second InversionThe Cadential Six-Four ChordThe Passing Six-Four ChordThe Auxiliary Six-Four ChordChapter 11 Secondary Triads Chord RelationshipsThe Sixth and Seventh Scale Degrees in Minor KeysChapter 12 The Harmonization of Melodies IChapter 13 Nonchord Tones I: Passing Tones, Neighboring Tones, Changing Tones, Appoggiaturas, Escape Tones, AnticipationsThe Passing ToneThe Neighboring ToneChanging TonesThe AppoggiaturaThe Escape ToneThe AnticipationChapter 14 Nonchord Tones II: Suspensions, Pedal PointsSuspensionsPedal PointsChapter 15 Diatonic Seventh ChordsFigured Bass Symbols for Seventh ChordsThe Seventh Chord in Four-Part WritingThe Function of Diatonic Seventh ChordsChapter 16 The Harmonization of Melodies IIPassing Tone Patterns [P]Neighboring Tone Patterns [N]Suspension Patterns [Sus]Appoggiatura Patterns [Ap]Escape Tone Patterns [Et]Anticipation Patterns [An]Chapter 17 Writing for the PianoMelodic ConsiderationsContrapuntal PracticesFour-Part Chordal StylesThe Piano AccompanimentPart Three Harmony in Common PracticeThe Chromatic Vocabulary Chapter 18 Secondary DominantsThe Function of Secondary DominantsDeceptive Resolutions of Secondary DominantsChapter 19 Secondary Diminished Seventh ChordsThe Function of Secondary Diminished Seventh ChordsIrregular Resolutions of Diminished Seventh ChordsChapter 20 Augmented Sixth ChordsThe Function of Augmented Sixth ChordsOther Uses of Augmented Sixth ChordsChapter 21 Borrowed ChordsChapter 22 The NeapolitanThe Neapolitan Sixth ChordThe Function of the Neapolitan SixthThe Neapolitan in Root PositionChapter 23 Common Chord ModulationChapter 24 Abrupt and Enharmonic ModulationAbrupt ModulationEnharmonic ModulationPart Four Post-Common Practice HarmonyChapter 25 Ninth, Eleventh, and Thirteenth ChordsNinth ChordsPerfect Eleventh ChordsAugmented Eleventh ChordsThirteenth ChordsNinth, Eleventh, and Thirteenth Chords in CombinationChapter 26 Chord SymbolsTritone SubstitutionChapter 27 Modal HarmonyModesThe Pentatonic ScaleChapter 28 Nonfunctional HarmonyRoot Movements Based on the Chromatic ScaleParallelismChords of AdditionPolychordsBitonalityPandiatonicismChapter 29 Artificial ScalesThe Whole Tone ScaleThe Octatonic ScaleChapter 30 Nontertian HarmonyNontertian ProjectionsFreely Formed Harmonic StructuresChapter 31 Harmonic Procedures in Twelve-Tone SerialismIntroductionThe Construction of the Basic SetThe Harmonic BasisAppendix AAnswers for Selected Exercises Chapters 7-22Appendix BStudy Guide for AnalysisGuided Analysis - Handel PassacagliaGuided Analysis - Mozart Piano Sonata K. 457, III, m. 167-183List of Music for AnalysisAppendix CMusical Calligraphy InstrumentsTempo and Expression MarksINDEX
