17世紀イギリスにおける女性、詩と政治 Women, Poetry, and Politics in Seventeenth-Century Britain

17世紀イギリスにおける女性、詩と政治<br>Women, Poetry, and Politics in Seventeenth-Century Britain

個数：

ポイントキャンペーン

17世紀イギリスにおける女性、詩と政治
Women, Poetry, and Politics in Seventeenth-Century Britain

Ross, Sarah C. E.

ウェブストア価格 ¥35,356（本体¥32,142）
Oxford University Press（2015/02発売）
外貨定価 UK£ 115.00
【ウェブストア限定】洋書・洋古書ポイント5倍対象商品（～2/28）
ポイント 1,605pt

在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
通常6～9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
【重要ご説明事項】
1. 納期遅延や、ご入手不能となる場合がございます。
2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
3. 美品のご指定は承りかねます。

●3Dセキュア導入とクレジットカードによるお支払いについて

【入荷遅延について】
世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。

◆画像の表紙や帯等は実物とは異なる場合があります。

◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
また、洋書販売価格は、ご注文確定時点での日本円価格となります。
ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。

製本 Hardcover:ハードカバー版／ページ数 264 p.
言語 ENG
商品コード 9780198724209
DDC分類 821.4099287

Full Description

Women, Poetry, and Politics in Seventeenth-Century Britain offers a new account of women's engagement in the poetic and political cultures of seventeenth-century England and Scotland, based on poetry that was produced and circulated in manuscript. Katherine Philips is often regarded as the first in a cluster of women writers, including Margaret Cavendish and Aphra Behn, who were political, secular, literary, print-published, and renowned. Sarah C. E. Ross explores a new corpus of political poetry by women, offering detailed readings of Elizabeth Melville, Anne Southwell, Jane Cavendish, Hester Pulter, and Lucy Hutchinson, and making the compelling case that female political poetics emerge out of social and religious poetic modes and out of manuscript-based authorial practices.

Situating each writer in her political and intellectual contexts, from early covenanting Scotland to Restoration England, this volume explores women's political articulation in the devotional lyric, biblical verse paraphrase, occasional verse, elegy, and emblem. For women, excluded from the public-political sphere, these rhetorically-modest genres and the figural language of poetry offered vital modes of political expression; and women of diverse affiliations use religious and social poetics, the tropes of family and household, and the genres of occasionality that proliferated in manuscript culture to imagine the state. Attending also to the transmission and reception of women's poetry in networks of varying reach, Sarah C. E. Ross reveals continuities and evolutions in women's relationship to politics and poetry, and identifies a female tradition of politicised poetry in manuscript spanning the decades before, during, and after the Civil Wars.

Introduction: She thinks not on the state? ; 1. 'The right vse of Poesie': Elizabeth Melville's religious verse and Scottish Presbyterian politics ; 2. 'Thou art the nursing father of all pietye': sociality, religion, and politics in Anne Southwell's verse ; 3. 'When that shee heard the drums and cannon play': Jane Cavendish and occasional verse ; 4. 'This kingdoms loss': Hester Pulter's elegies and emblems ; 5. 'I see our nere, to be reentered paradice': Lucy Hutchinson's 'Elegies' and Order and Disorder ; Conclusions