Description
Metal music is heavy, but what does that mean? Heaviness is not just a timbre or quality of sound-it's an experience of impact that listeners help create. This book combines methodologies from musicology, music theory, cognitive science, and performance studies to define heaviness as a cross-sensory experience and aesthetic practice. Heaviness is shaped by what we do when we listen, how we think about metal music, and how we relate to the people who make and listen to it.Despite metal's historical narrative of "leaving the blues behind," many aspects of the genre perpetuate legacies of blues' musical style and highly racialized reception-including headbanging, and metal's ideologies and aesthetics of oppositional authenticity, loudness, heaviness, and extremity.Musicians and listeners navigate their own way through this landscape of legacies, re-enacting the genre's ideologies and musical structures through their own headbanging and moshing. Metal musicians perpetuate the genre's norms and practices, which in turn provide a framework for the creation and distinction of new metal styles and experiences. Heaviness in Metal concludes that longstanding restrictions about who and what count as metal have begun to loosen, expanding the scope of what heaviness can mean, and to whom.
Table of Contents
Part I: What Is Heaviness?Introduction.Chapter 1. "Experiencing Heavy Timbres Through Metaphors: Buzzsaw Tone"Chapter 2. "Power Chords and the Basic Illusion of Heaviness: Hearing Something More Powerful Than Reality"Chapter 3. "Rock is Dead, but Metal Will Live Forever: The Paradoxes of Metal's Progressionism" Part II: Where Did Heaviness Come From? Chapter 4. "Leaving the Blues Behind: The Racialized Origins of Metal and its Progression Towards Heaviness" Chapter 5. "Headbanging as a Legacy of Black Dance" Chapter 6. "Angels and Demons: Hearing Gender and Heaviness in Metal's Fantastical Vocals" Part III: How is Heaviness Created and What Does it Feel Like?Chapter 7. "How Metallica Created Extreme Metal: Active Listening, Connoisseurship, and Cover Songs" Chapter 8. "Headbanging to Drum Patterns to Create Heaviness"Chapter 9. "How Song Forms Create Ritual Spaces for Experiencing Heaviness" Chapter 10. "Feeling Different Heavinesses in Different Song Forms and Subgenres" Epilogue. "The Promise of Post-Extreme Metal"
