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Description
This book illustrates how strategic thinking and game theory can be applied to study and enjoy theater plays. By offering various case studies on plays such as Antigone, Medea, Hamlet, Schiller’s Wallenstein, Ibsen’s Hedda Gabler, Tennessee Williams’ A Streetcar Named Desire, Arthur Miller’s The Crucible, and Elfriede Jelinek’s Rechnitz, the authors analyze the dynamics of player choices, including their misperceptions, deceptions, and various power games. Plays are examined according to their strategic contexts and, if appropriate, analyzed by means of game theory. This book is written for anyone interested in theater and who wants to learn about strategic behavior on stage but also for readers who are looking for an exciting field for applying game theoretical reasoning.
Table of Contents
Part 1.Strategic Games on Stage:Medea Meets Hamlet.- Chapter 1.Strategic Games on Stage: An Introduction.- Chapter 2.Medea: Child Murderess or Abandoned Wife?.- Chapter 3.Antigone: An Exercise in Triolectics.- Chapter 4.Machiavelli, Shakespeare, and the Dirty Hands.- Chapter 5.Schiller’s Wallenstein and the Trap of Power.- Chapter 6.In the Dust with All the Enemies of Brandenburg: Kleist’s The Prince of Homburg.- Part 2.Strategic Games on Stage: Medea Meets Hamlet.- Chapter 7.Desire on Stage.- Chapter 8.One Flew Over the Cuckoo´s Nest: Violence, Madness.- Chapter 9.The Black Medea: An Introduction.- Chapter 10.Epilogue: Taine, Jorn, and Jarry, and the Metaverse Stage.
