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Description
This monograph identifies and investigates the ‘other-conscious’ ethics in black avant-garde poetry since the 1980s. Drawing on a long tradition in the African Diaspora of ethical writings that put the Other first, this work shows how black poets writing in an avant garde or experimental vein in the United States push language to its limits to reveal how poetry can address and exemplify ethical postures towards other people. This other-centered vantage allows the poets to incisively comment on some of this period’s most pressing ethical issues, including postcolonial and racialized violence, the history of slavery and segregation in America, and the expansion of human consciousness. The writers involved in this study include Nathaniel Mackey, Erica Hunt, Will Alexander, Harryette Mullen, and Mark McMorris.
Table of Contents
Chapter 1: Introduction.- Chapter 2: Other-Consciousness: Toward a Tradition of African (American) Ethics.- Chapter 3: “re: Source”: Nathaniel Mackey and the African Formation of Ethical Black Modernism.- Chapter 4: So Far Away, Yet So Close to Home: the Black Surrealism, Negritude, and (Extra)terrestrial (Po)eth(n)ics of Will Alexander.- Chapter 5: Erica Hunt’s Poet(h)ics of Community.- Chapter 6: From Slavery to Supermarket: Harryette Mullen’s Empathetic Ethics.- Chapter 7: Beyond, Between, and Other-Wise: Mark McMorris’s Postcolonial Poethics.- Chapter 8: Concluding toward a Radical Tradition of Other-Consciousness.
