Description
This edited volume aims to reposition intertextuality in relation to recent trends in critical practice. Inspired by the work of Sara Ahmed in particular, our authors explore and reconfigure classic theories of authorship, influence and the text (including those by Roland Barthes, Michel Foucault and Harold Bloom), updating these conversations to include intersectionality specifically, broadly understood to include gendered, racial and other forms of social justice including disability, and the progressive impact of the transmission and transformation of texts. This diverse volume includes discussions of major canonical works such as James Joyce’s Ulysses alongside the recent contemporary literature by authors such as Siri Husvedt and Maggie O’Farrell, as well as theoretical interventions. This volume also engages with how intertextuality can facilitate interdisciplinary and ekphrastic thinking and representation, as the inspiration of music and the visual arts for texts and their transmission is addressed. The choice of intertexts become deliberately political, ethical and artistic signifiers for the authors discussed in this volume, and our contributors are thus enabled to address topics ranging from visual impairment to Shakespearean motherhood to the influence of Jazz culture on writing on the Northern Irish Troubles.
Table of Contents
Contents
List of Contributors
Acknowledgements
Introduction
Part I: New Metaphors for Progressive Intertextuality
1. Authorship, the ‘mezzanine’, and the intercession of meaning: a metaphysics of the creative writing process
Philip Miles
2. De-disciplining criticism: refiguring reading as a mode of response-ability
Ruth Daly
Part II: Progressive Intertextuality & Inclusivity
3. The Blind as Seen Through Blind Eyes: An Intertextual Approach to Visual Impairment in James Joyce’s Ulysses (1922)
Cleo Hanaway-Oakley
4. Grotesque Mat(t)er: Materiality and Matrilineality in Maggie O’Farrell’s Hamnet (2020)
Orlagh Woods
Part III: Progressive Intertextuality & Interdisciplinarity
5. “Yardbird Suite”: Jazz, Double Consciousness, and the Reverberations of the Harlem Renaissance in Stewart Parker’s Pentecost (1987)
Matthew Fogarty
6. Novel Art: The Contemporary Turn Towards Ekphrasis
Monika Gehlawat
Coda. Questions of the Tongue
Christin M. Mulligan
Index
