オックスフォード版 中国と中華系ディアスポラの音楽ハンドブック The Oxford Handbook of Music in China and the Chinese Diaspora

著者名：Hui, Yu (EDT)/Stock, Jonathan P.J. (EDT)

Oxford University Press（2023/10/06発売）

• 言語：ENG
• ISBN：9780190661960
• eISBN：9780190661984

Description

In The Oxford Handbook of Music in China and the Chinese Diaspora, twenty-three scholars advance knowledge and understandings of Chinese music studies. Each contribution develops a theoretical model to illuminate new insights into a key musical genre or context.This handbook is categorized into three parts. In Part One, authors explore the extensive, remarkable, and polyvocal historical legacies of Chinese music. Ranging from archaeological findings to the creation of music history, chapters address enduring historical practices and emerging cultural expressions. Part Two focuses on evolving practice across a spectrum of key instrumental and vocal genres. Each chapter provides a portrait of musical change, tying musical transformations to the social dimensions underpinning that change. Part Three responds to the role that prominent issues, including sexuality, humanism, the amateur, and ethnicity, play in the broad field of Chinese music studies. Scholars present systematic orientations for researchers in the third decade of the twenty-first century.This volume incorporates extensive input from researchers based in China, Taiwan, and among Chinese communities across the world. Using a model of collaborative inquiry, The Oxford Handbook of Music in China and the Chinese Diaspora features diverse insider voices alongside authors positioned across the anglophone world.

Table of Contents

AcknowledgementsList of FiguresList of Contributors1. Introduction: Frames of Reference for the Study of Music in China and Its DiasporaYu Hui and Jonathan P.J. StockPART I NEW DIRECTIONS IN HISTORY AND THEORY2. Musical Archaeology and the Prehistory of Chinese MusicYang Yuanzheng3. Theorizing "Natural Sound": Ancient Chinese Music Theory and Its Contemporary Applications in the Study of Guqin IntonationYu Hui and Chen Yingshi4. The Huxuan and Huteng Dances: Foreign Musical Dances in Chinese HistoryZhao Weiping5. Kunqu from Analytical Perspectives: A Focus on Feng Ru SongKar Lun Alan Lau6. Why and How do Chinese Sing Shijing Songs?Joseph S.C. Lam7. Music History and Historiography in the Chinese ContextHon-Lun Helan Yang8. Chinese Music ModernitiesFrederick LauPART II MUSIC GENRES AND PRACTICES IN EVOLVING CONTEXTS9. Traditional Instruments and Heterophonic PracticeAlan R. Thrasher10. Jiangnan Sizhu in the Greater Suzhou Area: Context, Repertoire, and SustainabilityMercedes M. Dujunco11. Social Change and the Maintenance of Music Tradition Among the Western YugursDu Yaxiong12. The Making of a Musical Community as a Manifestation of Nationalism: The Jinyu Qinshe Society in 1930s ChinaYu Hui13. A Multimodal and Interdisciplinary Approach to Luo Yusheng's Video Performance of "At Break Of Day"Francesca R. Sborgi Lawson14. The Emergence of Taiwanese New Xiqu: A Case Study on Chichiao Musical TheaterHsieh Hsiao-Mei15. Hybridity in the Modern Chinese Orchestral Music (Guoyue) of TaiwanChing-Yi Chen16. Trends in the Globalization of Pipa MusicBen WuPART III Cross-Cutting Issues in Contemporary Settings 17. Humanism in Red: A New Mainstream Narrative in the Pop Songs of 1980s' ChinaLijuan Qian18. Staging Race and Sexuality Across Borders: Marketing Pop Singer Coco LeeGrace Wang19. Re-Imagining China's Female Pianists: Yuja Wang and Zhu Xiao-MeiShzr Ee Tan20. Liveness and Mediation in Chinese Art Music: From The Map to The Qingming FestivalGermán Gil-Curiel21. The Professional and Amateur in Wuhan's Park PopSamuel Horlor22. Minorities and the Mainstream: The Musical Place of the Non-Han Peoples in Modern ChinaChuen-Fung Wong23. "Kita Anak Malaysia" [We are the Children of Malaysia]: Performing Multicultural Chinese IdentitiesTan Sooi Beng24. Conclusions: New Directions in Chinese Music ResearchJonathan P.J. StockIndex