Description
Although historical research undertaken in different disciplines often requires speculation and imagination, it remains relatively rare for scholars to foreground these processes explicitly as a knowing method. Historical Research, Creative Writing, and the Past brings together researchers in a wide array of disciplines, including literary studies and history, ethnography, design, film, and sound studies, who employ imagination, creativity, or fiction in their own historical scholarship or who analyze the use of imagination, creativity, or fiction to make historical claims by others. This volume is organized into four topical sections related to representations of the past—textual and conceptual approaches; material and emotional approaches; speculative and experiential approaches; and embodied methodologies—and covers a variety of temporal periods and geographical contexts. Reflecting on the methodological, theoretical, and ethical underpinnings of writing history creatively or speculatively, the essays situate themselves within current debates over epistemology and interdisciplinarity. They yield new insights into historical research methods, including archival investigations and source criticisms, while offering readers tangible examples of how to do history differently.
Table of Contents
Introduction: Methods of Knowing
Kevin A. Morrison and Pälvi Rantala
Section One: Textual and Conceptual Approaches
1. Epic Posturing and Epic Entanglements: Historiography, Creative Inquiry, and the Writing of the Self in Boiardo, Montaigne, and Cervantes
Alani Hicks-Bartlett
2. "The Machine for Showing Desire": Desert Romance Fiction and Knowing Sexual Desire
Catherine Phipps
3. Entwining Temporalities in Craig Williamson’s The Complete Old English Poems
Elan Justice Pavlinich
Section Two: Material and Emotional Approaches
4. Filling in the Blanks: An Open Door Invitation to a Nineteenth-Century American Period Room
Kate Kramer
5. Scraps of History: Vernacular Archiving and Creative Composition
Ben Nadler
6. Tolkien, Cline, and the Quest for a Silmaril
Tom Ue and James Munday
Section Three: Experiential Approaches
7. Dreams, Historical Knowledge, and Death of a California Fisherwoman
Kevin A. Morrison
8. All Cops are Biased: Historiography as Detective Story
William G. Pooley
9. Sound Puppets: Using Sonic Nonfiction to Perform the Past
Diana Chester and Heidi Stalla
Section Four: Embodied Methodologies
10. Co-Imagining the History of a Village: Autoethnographer as Verbaliser of Experience-Based Knowledge
Jaana Kouri
11. My Writing Journey with the Webers
Pälvi Rantala
13. Knowing Hands: Using Tactile Research Methods in Researching and Writing the History of Design
Grace Lees-Maffei
