ラウトレッジ版 音楽劇必携<br>The Routledge Companion to Musical Theatre

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ラウトレッジ版 音楽劇必携
The Routledge Companion to Musical Theatre

  • 言語:ENG
  • ISBN:9780367202095
  • eISBN:9780429535864

ファイル: /

Description

Global in scope and featuring thirty-five chapters from more than fifty dance, music, and theatre scholars and practitioners, The Routledge Companion to Musical Theatre introduces the fundamentals of musical theatre studies and highlights developing global trends in practice and scholarship.

Investigating the who, what, when, where, why, and how of transnational musical theatre, The Routledge Companion to Musical Theatre is a comprehensive guide for those studying the components of musical theatre, its history, practitioners, audiences, and agendas. The Companion expands the study of musical theatre to include the ways we practice and experience musicals, their engagement with technology, and their navigation of international commercial marketplaces. The Companion is the first collection to include global musical theatre in each chapter, reflecting the musical窶冱 status as the world窶冱 most popular theatrical form. This book brings together practice and scholarship, featuring essays by leading and emerging scholars alongside luminaries such as Chinese musical theatre composer San Bao, Tony Award-winning star André De Shields, and Tony Award-winning director Diane Paulus.

This is an essential resource for students on theatre and performance courses and an invaluable text for researchers and practitioners in these areas of study.

Table of Contents

Foreword

Diane Paulus

Part 1: What

Introduction: On Musicals

San Bao

  1. Musical Theater Mobilities: Around the World in Eighty Years
  2. David Savran

  3. An American in Tokyo? Musical Theatre Dance窶冱 Transnational Movements
  4. Ryan Donovan

  5. "How a World Can Seem So Vast": The Craft of Musical Theatre Dramaturgy
  6. Lindsey R. Barr and Laura MacDonald

  7. The Singing Voice
  8. Masi Asare

  9. "The Song Is You": Song Types and Genres in Musical Theatre
  10. William A. Everett

    Part 2: When

    Introduction: Dark Primal Energy, Ancestor Memory, and American Exceptionalism

    André De Shields with Kenneth J. Cerniglia

  11. From Ballad Opera to Minstrelsy and Back: Social Class, Race, and Gender on the North American Musical Stage
  12. Kristin Moriah

  13. From the 1870s through World War I: The Spectre and Spectacle of the Human Body
  14. Maya Cantu

  15. Boom to Bust: Genre Borders, Color Lines, and Women Stars in the Musical between the World Wars
  16. Todd Decker

  17. World War II and the Cold War: Reflections and Refractions of Ourselves, Then and Now
  18. Dominic McHugh

  19. Since the 1980s: The Global Musical Theatre Ecology
  20. Kelsey Blair

    Part 3: Who

    Introduction: Who Makes a Musical?

    Georgia Stitt

  21. Musical Theatre Training in the Twenty-First Century: A Primer
  22. Amy S. Osatinski and Bud Coleman

  23. "Forget About the Boy": Women and Creative Collaborations in Musical Theatre
  24. Arianne Johnson Quinn and Clare Chandler

  25. Good Gals Wear Black: Offstage Labor and the Musical
  26. Christine Snyder

  27. Mediated Taste: The Role of Critics
  28. Paul R. Laird

  29. From Stage Door to Cyberspace: The Digital Evolution of Musical Theatre Fandom
  30. Adam Rush and Stephanie Lim

    Part 4: How

    Introduction: How Musicals Work: A Press Representative窶冱 View

    Chris Boneau

  31. Fitting the Slipper: The Art of Adaptation for the Musical Stage
  32. William A. Everett

  33. Harnessing Technology: The Evolving Labor of Design in Musical Theatre
  34. Virginia Anderson

  35. Humming the Scenery: The Aesthetics of Musical Theatre Spectacle
  36. Douglas L. Reside

  37. "That窶冱 Showbiz, Kid": Casting as Process and Product
  38. Ryan Donovan

  39. The Foundation, Function, and Future of the Musical Theatre Director
  40. Mary Jo Lodge and Anne Healy

  41. How Dancers and Choreographers Work: The Laboring Bodies of Musical Theatre
  42. Joanna Dee Das

  43. "The Name on Everybody窶冱 Lips": Marketing Musical Theatre
  44. Laura MacDonald

  45. A Critical Guide to Code-Meshing, Multilingualism, and Musicals
  46. Samuel Yates

    Part 5: Where

    Introduction: Scenes from a Showbiz Couple窶冱 Travelogue

    Kim Varhola

  47. Centers of Musical Theatre
  48. Alex Bádue, Jennifer C.H.J. Wilson, Laura Milburn, Leesi Patrick, and Sir Anril P. Tiatco

  49. Pilots and Petticoats: Original Musicals in Continental Europe
  50. Jeroen van Wijhe and Jacek MikoナBjczyk

  51. The Broadway-Style Musical in/and Global Asias: 1920-2019
  52. Sissi Liu and Rina Tanaka

  53. "One of the best ways to please the locals is to go to New York": US American Regional Theatres and New Musical Theatre Development
  54. Claudia Wilsch Case

  55. "We窶决e All in This Together": Student and Amateur Performances
  56. Kenneth J. Cerniglia

  57. Mediated Musical Theatre
  58. Sam O窶僂onnell

    Part 6: Why

    Introduction: Into the Theatre

    Yilun (Della) Wu

  59. Journeys to the Past: The Uses of Memory and Nostalgia in Musical Theatre
  60. Bryan M. Vandevender

  61. What窶冱 in a Name? The Multiplicities of the Musical
  62. John Koegel

  63. Interrogating America窶冱 National Myth Onstage: Case Studies on the Individual and the Community in U.S. Musical Theatre
  64. Katie Welsh and Stacy Wolf

  65. Translating Race in Musical Theatre
  66. Ji Hon (Kayla) Yuh and Emilio Méndez Rios

  67. "Art Isn窶冲 Easy" (and Neither is Commerce): The Musical Stays in the Money
  68. Michael Schwartz

  69. "World"-Traveling, Diversity, Inclusion, and the Making of Musicals in the Twenty-First Century

Trevor Boffone

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