Description
This collection of essays explores the myriad ways in which the women’s suffrage movement in Britain in the nineteenth century and twentieth century engaged with and was expressed through literature, art and craft, music, drama and cinema.
Uniquely, this anthology places developments in the constituent arts side by side, and in dialogue, rather than focusing on a single field in isolation. In so doing, it illustrates how creative endeavours in different artforms converged in support of women’s suffrage. Topics encompassed range from the artistic output of such household names as Sylvia Pankhurst and Ethel Smyth, to the recent feature film Suffragette. It also brings to light under-represented figures and neglected works related to the suffrage movement. A wide variety of material is explored, from poems, diaries and newspapers to posters, dress and artefacts to songs, opera, plays and film.
Published in the wake of the centenary of many women receiving the parliamentary vote in the UK, this book will appeal to scholars, undergraduate and graduate students, and members of the public interested in the broad areas of women’s history and the women’s suffrage movement, as well as across the arts disciplines.
Table of Contents
Foreword: The dawn is breaking...
Irene Cockroft
Chapter One: Women’s Suffrage and Cultural Representation: The making of a movement
Christopher Wiley and Lucy Ella Rose
Part I: Literature
Chapter Two: Sylvia Pankhurst: Poetry and Politics
Marion Wynne-Davies
Chapter Three: A Reliable Chronicler? Emmeline Pethick-Lawrence and the Pankhurst/Pethick-Lawrence split of 1912
Kathy Atherton
Chapter Four: Suffragette Prison Narratives: The Foreignisation of the Carceral Experience
Eleanor March
Chapter Five: The Scottish Suffragettes and the Press
Sarah Pedersen
Part II: The Visual Arts and Visual Identity
Chapter Six: Suffrage Identity: Declaring One’s Colours
Anne Anderson
Chapter Seven: Painting a Political Identity: Women and the House of Commons, c.1818–1834
Amy Galvin
Chapter Eight: Victorian Paintings Under Attack: The Earliest Act of Suffrage Iconoclasm (1913)
Gursimran Oberoi
Chapter Nine: The Art of Suffrage Propaganda: With particular reference to the work of Surrey artists
Elizabeth Crawford
Part III: Music
Chapter Ten: Ethel Smyth, Music and the Suffragette Movement: Reconsidering The Boatswain’s Mate as Feminist Opera
Christopher Wiley
Chapter Eleven: ‘It seemed to me my first duty to signify I was one of the fighters’: Ethel Smyth’s two years of suffrage activities and her suffrage music
Marleen Hoffmann
Chapter Twelve: The Image of The Suffragette in Vernon Lee’s Music and its Lovers
Kristin M. Franseen
Part IV: Stage and Screen
Chapter Thirteen: ‘Will you, won’t you, will you, won’t you, join the Suffrage Dance?’: Reframing Alice in Wonderland for Edwardian activists
Naomi Paxton
Chapter Fourteen: Radical Actors: The Women’s Social and Political Union’s Staging of the Suffrage Campaign
Brigitte Dale
Chapter Fifteen: Suffrage History on our Screens: The TV series Shoulder to Shoulder and the feature film Suffragette: Whose stories do they tell?
June Purvis
