香港のポピュラー音楽 Made in Hong Kong : Studies in Popular Music

著者名：Fung, Anthony (EDT)/Chik, Alice (EDT)

Routledge（2020/04/19発売）

• 言語：ENG
• ISBN：9780367226978
• eISBN：9781000056082

Description

Made in Hong Kong: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth- and twenty-first century popular music in Hong Kong. The volume consists of essays by leading scholars in the field, and it covers the major figures, styles, and social contexts of popular music in Hong Kong. Each essay provides adequate context to allow readers to understand why the figure or genre under discussion is of lasting significance. The book is organized into four thematic sections: Cantopop, History and Legacy; Genres, Format, and Identity; Significant Artists; and Contemporary Cantopop.

Table of Contents

Introduction

　 Mainstreaming Hong Kong Popular Music

ANTHONY FUNG & ALICE CHIK

　

PART I: CANTOPOP, HISTORY, AND LEGACY

1. Mapping sociopolitical and cultural changes through "The Daughters of Hong Kong:" From Anita Mui to Denise Ho

VICKY HO & MIRANDA MA

2. Once upon a time in Hong Kong Cantopop: 1984

YIU-WAI CHU

 

3. Pax Musica & Mnets: Cantopop–Kpop convergences and inter-Asia cultural mobilities

KAI KHIUN LIEW & MEICHENG SUN

4. Voices shaped by the people and for the people: Cantopop and political crisis from the colonial to postcolonial era

STELLA LAU & IVY MAN

　

PART II: GENRES, FORMAT, AND IDENTITY

5. The symbolism sound of Cantopop: Relistening to "The Fatal Irony" (1974)

TING YIU WONG

6. Rethinking Chineseness in the Cantopop of Sam Hui

BRENDA CHAN

7. Alternative music, language, and "Hong Kong" identity: The use of metaphor in English lyrics of Hong Kong independent music

LOK MING ERIC CHEUNG

8. Covers and "One Melody, Two Lyrics" Songs

JOHNSON LEOW

　

PART III: SIGNIFICANT ARTISTS

　

9. Love songs from an island with blurred boundaries: Teresa Teng’s anchoring and wandering in Hong Kong

CHEN-CHING CHENG

10. Remembering Hong Kong as a queer metaphor: Leslie Cheung’s queer performativity and posthumous networked fandom

HONG-CHI SHIAU

11. Hong Kong is (no longer) my home: From Sam Hui to My Little Airport

MILAN ISMANGIL

12. MC Yan and his Cantonese conscious rap

ANGEL M. Y. LIN

　

PART IV: CONTEMPORARY CANTOPOP

13. Snapshots of multilingualism in Hong Kong popular music

PHIL BENSON & ALICE CHIK

14. Our Little Twins Stars: Conglomerate-catalyzed cross-media stardom in the new millennium

KLAVIER J. WANG & STEPHANIE NG

15. Performing the political: Reflections on Tatming meeting George Orwell in 2017

YIU FAI CHOW, JEROEN de KLOET & LEONIE SCHMIDT

16. The politicization of music through nostalgic mediation: The memory in "Boundless Oceans, Vast Skies"

JESSICA KONG & ANTHONY FUNG

　

CODA

17. The globo-regional and the local in Hong Kong popular music

C. J. W.-L. WEE

Afterword

Cantopop is always hybrid: A conversation with Serina Ha