ヘーゲル美学<br>Hegel's Aesthetics : The Art of Idealism

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ヘーゲル美学
Hegel's Aesthetics : The Art of Idealism

  • 著者名:Moland, Lydia L.
  • 価格 ¥12,524 (本体¥11,386)
  • Oxford University Press(2019/07/08発売)
  • ポイント 113pt (実際に付与されるポイントはご注文内容確認画面でご確認下さい)
  • 言語:ENG
  • ISBN:9780190847326
  • eISBN:9780190847357

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Description

Hegel is known as "the father of art history," yet recent scholarship has overlooked his contributions. This is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. In a new analysis of Hegel's notorious "end of art" thesis, Hegel's Aesthetics shows the indispensability of Hegel's aesthetics for understanding his philosophical idealism and introduces a new claim about his account of aesthetic experience.In a departure from previous interpretations, Lydia Moland argues for considering Hegel's discussion of individual arts--architecture, sculpture, painting, music, and poetry--on their own terms, unlocking new insights about his theories of perception, feeling, selfhood, and freedom. This new approach allows Hegel's philosophy to engage with modern aesthetic theories and opens new possibilities for applying Hegel's aesthetics to contemporary art. Moland further elucidates his controversial analysis of symbolic, classical, and romantic art through clarifying Hegel's examples of each. By incorporating newly available sources from Hegel's lectures on art, this book widely expands our understanding of the particular artworks Hegel discusses as well as the theories he rejects. Hegel's Aesthetics further situates his arguments in the intense philosophizing about art among his contemporaries, including Kant, Lessing, Herder, Schelling, and the Schlegel brothers.Ultimately, the book offers a rich vision of the foundation of his ideas about art and the range of their application, confirming Hegel as one of the most important theorists of art in the history of philosophy.

Table of Contents

IntroductionPart I: Art and the IdeaChapter One: Truth and Beauty: Art as the Sensuous Appearance of the IdeaPart II: The Particular Forms of ArtChapter Two: Symbolic Art: The Distant DivineChapter Three: Classical Art: The Embodied DivineChapter Four: Romantic Art: The Human DivineChapter Five: The Dissolution and Future of the Particular ArtsPart III: The System of the Individual ArtsChapter Six: Externality as Symbol: ArchitectureChapter Seven: Individuality Embodied: SculptureChapter Eight: Subjectivity in Retreat: PaintingChapter Nine: The Sound of Feeling: MusicChapter Ten: The Language of Inner Imagination: PoetryChapter Eleven: Embodied Reconciliation: Poetic Subgenres and the End of the Individual ArtsConclusion

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