ラウトレッジ版 電子音楽研究便覧 The Routledge Research Companion to Electronic Music: Reaching out with Technology

著者名：Emmerson, Simon (EDT)

Routledge（2018/05/16発売）

• 言語：ENG
• ISBN：9781472472915
• eISBN：9781317043591

Description

The theme of this Research Companion is 'connectivity and the global reach of electroacoustic music and sonic arts made with technology'. The possible scope of such a companion in the field of electronic music has changed radically over the last 30 years. The definitions of the field itself are now broader - there is no clear boundary between 'electronic music' and 'sound art'. Also, what was previously an apparently simple divide between 'art' and 'popular' practices is now not easy or helpful to make, and there is a rich cluster of streams of practice with many histories, including world music traditions. This leads in turn to a steady undermining of a primarily Euro-American enterprise in the second half of the twentieth century. Telecommunications technology, most importantly the development of the internet in the final years of the century, has made materials, practices and experiences ubiquitous and apparently universally available - though some contributions to this volume reassert the influence and importance of local cultural practice. Research in this field is now increasingly multi-disciplinary. Technological developments are embedded in practices which may be musical, social, individual and collective. The contributors to this companion embrace technological, scientific, aesthetic, historical and social approaches and a host of hybrids 窶� but, most importantly, they try to show how these join up. Thus the intention has been to allow a wide variety of new practices to have voice 窶� unified through ideas of 'reaching out' and 'connecting together' 窶� and in effect showing that there is emerging a different kind of 'global music'.

Table of Contents

Part 1: Global reach 窶� local identities [1] Ricardo Dal Farra (and others): 窶漏esearch-Creation in Latin American窶� [2] Marc Battier and Lin-Ni Liao: 'Electronic Music in East Asia' [3] Leigh Landy: 窶狼he Three Paths: Cultural retention in contemporary Chinese electroacoustic music窶� [4] Patrick Valiquet: 窶狼echnologies of Genre: Digital distinctions in Montreal窶� [5] Hillegonda Rietveld: 窶魯ancing in the Technoculture窶� Part 2: Awareness, consciousness, participation [6] Pedro Rebelo and Rodrigo Cicchelli Velloso: 窶榔articipatory Sonic Arts: the Som de Maré project - towards a socially engaged art of sound in the everyday窶� [7] Atau Tanaka and Adam Parkinson: 窶狼he Problems with Participation窶� [8] Leah Barclay: 窶狼he Agency of Sonic Art in Changing Climates窶� [9] Sally-Jane Norman: 窶狼uning and Metagesture After New Natures窶� [10] Eduardo Miranda and Joel Eaton: 窶弄usic Neurotechnology: a natural progression窶� Part 3: Extending performance and interaction [11] Simon Emmerson and Kenneth Fields: 窶聾here are we? Extended Music Practice on the Internet窶吮�� [12] Jonty Harrison: 窶漏endering the Invisible: BEAST and the performance practice of acousmatic music窶� [13] Mick Grierson: 窶呂reative Coding for Audiovisual Art: The CodeCircle Platform窶�